A boy comes of age under an oppressive, cruel socialist government and watches as it slowly but surely distorts his family, his school and even his own thoughts.
A young farm boy spends his days dreaming and making totem-pole like sculptures out of wood. His brother is a go-getter: studies agricultural engineering, comes back with diploma to marry the pretty girl next door. The dreamer graces puts his sculptures around, invoking anger of his father and ridicule of the peasants who find him useless. During the brother's wedding he sets his totems ablaze. He makes a pass at his new sister-in-law, but returns to his own reveries. In the end he hears a call to bring a log out of the marshes, but during the escapade sinks into the bog.
Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.
A young doctor is tired of being sought by women. One night he meets a young girl who all but forces herself into his room where they talk of morals and love. But he loses her when he goes out to see some friends and then rushes madly around the city after her.
Two strangers, Jerzy and Marta, accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. Also on board is Marta's spurned lover, who will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit.
Musicians and jazz lovers come to Zakopane to relax and make music together. Kalatówki is the location where the jazz campsite takes place. Andrzej Trzaskowski's band “Jazz Believers” is the star of the film.
