Writer
The film tells the story of a ruthless landowner who commandeers property (both land and other men's wives) and leaves a path of human suffering and death in his wake. The film describes an intersecting universe of entrenched power--in which the landowning class, colluding priests, corrupt government officials, violent police, and U.S. businessmen--conspiring to rape the land for their own profit and to suppress the local farmers. In contrast, the working peasants cherish the land as their own and struggle to break free from oppression to build homes and better lives for their families.
Director
The film tells the story of a ruthless landowner who commandeers property (both land and other men's wives) and leaves a path of human suffering and death in his wake. The film describes an intersecting universe of entrenched power--in which the landowning class, colluding priests, corrupt government officials, violent police, and U.S. businessmen--conspiring to rape the land for their own profit and to suppress the local farmers. In contrast, the working peasants cherish the land as their own and struggle to break free from oppression to build homes and better lives for their families.
Director of Photography
A long monologue, a reflection about power and the human condition made by a king who rules the world from his throne.
Director of Photography
An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.
Producer
An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.
Music
An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.
Writer
An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.
Director
An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.
