Kunio Miyauchi

The Japanese government sets up a special task force to fight the giant creatures suddenly appearing across the country. Soon, the squad unexpectedly meets a giant silver humanoid who starts appearing every time a space monster attacks!

A biographical dramatization about the production of the original Ultraman, the beloved classic special effects fantasy series from Eiji Tsuburaya.

Ultraman Zoffy explains to the audience about the history of the ultra series alongside Pigmon, while having to fight off with various seijin foes.

A 1979 Japanese tokusatsu kaiju film produced by Tsuburaya Productions, consisting of re-edited material from the original television series Ultraman. Ultraman: The Great Decisive Battle was the 1st movie of the third Showa phase (Jissouji's Ultraman being first and Ultra Brothers vs. The Monster Army being second) and because of this Tsuburaya decided to make this a reunion of the last 12 Ultras (aside from Ultraman 80 which hadn't come out yet). Tsuburaya decided to give this a different tone than Jissouji's Ultraman, having more new scenes and appealing to the all-Ultra fan.

Ichiro Miki is a child living in the industrial district of Kawasaki, where his parents' constant struggle to make ends meet often leaves the schoolboy alone. Constantly teased by a bully nicknamed Gabara, his only friends are toy consultant Shinpei and fellow classmate Sachiko. Ichiro turns to escapist dreams of Monster Island where he befriends the equally bullied Minilla.

A movie specially created for the Circularama Theater, a 360-degree screen that was located at the Korakuen Amusement Park in Tokyo. Featuring Booska and Chamegon, the 15-minutes film was comprised of stock footage from episodes of Ultraman and Ultraseven, and newly filmed material. No copy is known to survive. A reconstructed video (with 10 little screens instead of one) was included as a bonus on some old Ultraman Laserdisc.

The film consists of re-edited material from the original television series Ultraman. Episodes 1, 8, 26, and 27 were used for the film. They were narrated by Hikari Urano as an "Ultraman Documentary". Allegedly only one new scene was shot, and that some parts of the movie where shot in black and white for unknown reasons. The movie screened at the same time as the Toho movie King Kong Escapes.

A librarian is subject to a scientific experiment which goes wrong and transforms him into 'The Human Vapour'. He uses his new ability to rob banks to fund the career of his girlfriend, a beautiful dancer. The Human Vapour is ruthless in his quest for money and kills anyone who stands in his way, especially police. He soon becomes Tokyo's most wanted criminal. Can he be stopped before he kills again?