Friedrich Ettel

Film by Deppe.

Heinrich George plays Henner who lives with his wife and child on a tugboat, going on the river to Berlin. There he meets the attractive Gescha (Betty Amann), and a story of love, betrayal and sadness ensues.

After the death of his uncle, the owner of the Rhine based Bockelmann Sparkling Wine, Peter turns up for the reading of the will. Justus Bockelmann, a producer of mineral water, is confident he will inherit the business, but ‘for reasons of moral rectitude’ he has no intention of running an ‘alcoholic business’. The opening of the will comes as a surprise to all the potential heirs.

Widowed carpenter Vincenz Olivier lives with his 8-year-old son Boubou in a small French town. But on the day he is supposed to marry the mayor′s daughter, Louise, his dark past catches up with him: Ten years ago, Vincenz – whose real name is Leon Bernier – escaped from prioson after being convicted of murdering his lover′s sister. Taking Boubou with him, Vincenz, who then and now still denies the crime, flees from the police in a desperate attempt to prove his innocence.

A man swallows a diamond - and suddenly all people around him change their attitude towards him.

In the very oldfashioned town of Ostend suddenly 13 suitcases are delivered to the hotel, with a note, that O.F. will be here soon and needs 6 rooms (the hotel just has five). This event, probably the biggest in 300 years, starts a small wave of modernisation, yet everybody is wondering who O.F. is. Journalist Stix and architect Stark have an idea how to use this event. They proclaim, that O.F. is a former citizen of the town, who became a millionaire abroad. They tell their fellow citizens that the town still needs modernisation, like better hotels, nightclubs, shops, etc. And soon, Ostend is a boomtown, then a capital. The architect, responsible for the new buildings is finaly allowed to marry the mayor's daughter, while Stix marries the cabaret star and the widowed mayor his new secretary. The only problem is, O.F. hasn't shown up, while finance experts from all over the world are trying to solve the depression problem.

The First World War. The young, English Lieutenant Raleigh is sent to the company of a disillusioned Captain Stanhope. Stanhope is secretly engaged to Raleigh's sister and is intent on protecting his image of an exemplary officer. An attack on the German lines, in which Raleigh also takes part, has turned into a bloody fiasco. Now Raleigh, too, knows the horrors of war, which have already taken their toll on Stanhope.

Chicago gangsters use cunning and a series of false identities in a violent battle for dominance, all while attempting to dodge the police.

Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

In the last years of his life, Bavarian king Ludwig II (1845 – 1886) devotes himself to ambitious architectural projects, which strain the state coffers to the extreme. The monarch, who is afraid of people, also withdraws more and more into a dream world at his various castles. His brother is already in a psychiatric institute and Ludwig is also eventually put under the care of psychiatrist Bernhard von Gudden. The king attempts to get out from under this guardianship at Starnberg lake…