Makeup Artist
Prince Amleth is on the verge of becoming a man when his father is brutally murdered by his uncle, who kidnaps the boy's mother. Two decades later, Amleth is now a Viking who's on a mission to save his mother, kill his uncle and avenge his father.
Prosthetic Designer
An extraordinary look at the lives of a middle-aged couple in the midst of the wife's breast cancer diagnosis.
Makeup Designer
An extraordinary look at the lives of a middle-aged couple in the midst of the wife's breast cancer diagnosis.
Makeup Designer
Firebrand Democratic Unionist Party leader Ian Paisley and Sinn Fein politician Martin McGuinness, two implacable enemies in Northern Ireland, are forced to take a short journey together in which they will take the biggest leap of faith and change the course of history.
Hair Designer
Firebrand Democratic Unionist Party leader Ian Paisley and Sinn Fein politician Martin McGuinness, two implacable enemies in Northern Ireland, are forced to take a short journey together in which they will take the biggest leap of faith and change the course of history.
Makeup Effects
Patrick lays comatose in a small private hospital, his only action being his involuntary spitting. When a pretty young nurse, just separated from her husband, begins work at the hospital, she senses that Patrick is communicating with her, and he seems to be using his psychic powers to manipulate events in her life.
Rita Bennett
Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.
