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Pension landlady Sophie imagined her job as mayor differently: not even the garbage collection works anymore! In order to defuse the scandal, she temporarily stores all municipal waste on her own yard. The improvisation artist gets active support from Felix, who appeares virtually with a paraglider out of the blue and skilfully turnes Sophie's head. Just now, Sophie's ex-mother-in-law Brigitte is at the door. The grande dame from Paris wants Sophie to return to her son Phillippe to prevent the unsuitable young successor who, in her opinion, does not come from a good family and only wants to take over the business. While Leonie is happy about her grandmother's visit, Sophie wants to know as little as possible about her. She is amazed at the unexpected magic that the sophisticated Brigitte unleashes on her grumpy barn occupier Barthl. He buys an elegant suit and dresses up neatly to impress the elegant elderly woman. But unfortunately more uninvited guests show up.
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Susanne's husband left her six months ago; she doesn’t go out, she doesn’t visit her friends, she lies about having been left. Her only outlets are her work and her beloved synchronized swimming, until a young single mother and her daughter move into her building and turn her life upside down.
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Claire Lynam, restorer in Dubliner City Gallery, loved banker Mark Gallagher, who dies in a car crash. Not even pregnant buddy colleague Fiona Sullivan can divert Claire. Since Claire painted Mark's portrait, he appears to her. Claire clings to this illusion. Fiona drags her to an opening party of Sean Bennett's artistic furniture shop. The former arts teacher approaches Claire as would be artist and as woman. Claire discovers she must let go. As the crash trial approaches, Marks parents Gerald and Vera Gallagher contact his ex. Discovering Sean caused Mark's fatal accident, Claire breaks up and plans to emigrate to the USA, but Fiona reminds her of godmother promises.
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A largely plotless, fado-scored journey through the gloomy cobblestone streets, zombie bars, and fetid basements of a sordid harbor town populated by German-speaking sots and Portuguese guest workers. An unhappy young couple, Leni and Anton, quarrel and split separately into the rat’s ass of the evening. Everyone is looking for love, but no one finds any—although Leni does pick up a trick.