Thomas E. Breen

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.

Members of the U.S. Army's 101st Airborne Division are fighting for their country amidst the rugged terrain of Bastogne, Belgium, in December 1944. Holley and his American compatriots have already seen one of their own, Roderigues, perish under enemy fire. The men try to rebuff another series of Nazi attacks, but what they really need is a change in the weather. Without clear skies, they'll never get the air support they need.

Capt. Jeremy Bradford has a particularly exciting luxury liner cruise in store when he's charged with transporting a troupe of opera singers to Rio de Janeiro. Anxious to become a singer herself, Bradford's young daughter, Polly, decides to skip out on school and sneak onto the ship before it departs. Angry that his daughter disobeyed him, Bradford puts her to work on the ship for punishment, but Polly has her own ideas about how to spend the trip.

Wealthy Polly Fulton marries a progressive scholar whose attitudes toward capitalism and acquired wealth puts their marriage in jeopardy.

Three young girls try to help their divorced mother find the right husband.