Massimo Mariani

A young student filmmaker in an attempt to shoot a documentary gets lost in New Orleans. Out of fear of making a mistake, he ends up making hundreds of mistakes.

Goffredo Fofi does not want to be considered an intellectual but he has spent his life founding magazines, writing books, reviewing movies. The film portrays his tireless political and cultural work, his encounters with famous figures, the extra-parliamentary groups, ideological excesses, discovering new authors and directors. Social work as a political resource. The profile of a heretical intellectual and an extraordinary cultural organizer reveals a very critical view of Italian society, its power mechanisms, and the injustice that leaves a mark on it.

Goffredo Fofi does not want to be considered an intellectual but he has spent his life founding magazines, writing books, reviewing movies. The film portrays his tireless political and cultural work, his encounters with famous figures, the extra-parliamentary groups, ideological excesses, discovering new authors and directors. Social work as a political resource. The profile of a heretical intellectual and an extraordinary cultural organizer reveals a very critical view of Italian society, its power mechanisms, and the injustice that leaves a mark on it.

Goffredo Fofi does not want to be considered an intellectual but he has spent his life founding magazines, writing books, reviewing movies. The film portrays his tireless political and cultural work, his encounters with famous figures, the extra-parliamentary groups, ideological excesses, discovering new authors and directors. Social work as a political resource. The profile of a heretical intellectual and an extraordinary cultural organizer reveals a very critical view of Italian society, its power mechanisms, and the injustice that leaves a mark on it.

How to film war? «War and Peace» tells the story of the century-old relationship between cinema and war, from the time of their first encounter, way back in 1911 with the Italian invasion of Libya, up to the present day. Forging ahead from the images captured by the pioneers of cinema to today’s twitter feeds, following young soldiers as they are trained to film war, the alliance between cinema and war appears to be a powerful one.

How to film war? «War and Peace» tells the story of the century-old relationship between cinema and war, from the time of their first encounter, way back in 1911 with the Italian invasion of Libya, up to the present day. Forging ahead from the images captured by the pioneers of cinema to today’s twitter feeds, following young soldiers as they are trained to film war, the alliance between cinema and war appears to be a powerful one.

Domenico, an old shepherd, spends his days with his sheep in high altitude, without electricity or water. Nisida, a 90-year-old widow, moved by her faith, decides to undertake a pilgrimage to the Hermitage of San Bartolomeo. Nicola, a retired fisherman, lives with a white cat in the ruins of his village. Three solitary figures, in the land of Abruzzo, resilient to time and carrying on the old ways, who tune into the “pace of the water.” A contemplative and atmospheric homage to the ancient peasant tradition, as well as a farewell nod to a vanishing way of life.

The Lightning Woman can move at supersonic speed and teleport, watching over the city and its inhabitants. But, to face everyday life, sometimes superpowers are not enough.

A film about the Swiss Italian poet Fabio Pusterla and his creative poetic process, his struggle to find an honest language, one which adheres to the personal experience and is able to unfold a hidden truth that creates a strong and profound bond with the other, with his public.

The œuvre of poet Raffaello Baldini (1924-2005) through the words of those who knew him, the poems he himself read, the fragments of his monologues, his beloved Romagna landscapes.

A nocturnal voyage into the bowels of the Earth. The camera follows the work of a machine that is digging tunnels for new underground railway lines. A short film that starts from the darkness to slowly approach the light, when the last fragment of rock falls and the workers’ eternal night comes to an end. A film that shows the inextricable bond between man and machine.

In the summer of their twelfth year Matteo and Samuele spend their days between the river, the forest and the shopping center, but compared to previous years, something is changing. The game becomes boring, imagination gives way to discovery, adventure turns into life experience. A summer without beginning and without end, the story about a friendship, an age and a land which are obliged to change with the inexorable passage of time.

Alberto Casiraghy and Josef Weiss are true bibliophile artists. One in Osnago, the other in Mendrisio, they have been dedicating themselves for years to valuable editorial and typographical activities, still printing with mobile characters, preserving the memory of a perfect ingenuity made of manual skills and technique, but also of inventiveness and poetry. Silvio Soldini gives us a realistic and poetical portrait of these two artists-artisans, who chose one of the oldest professions in a modern world, finding great success and approval.

Alberto Casiraghy and Josef Weiss are true bibliophile artists. One in Osnago, the other in Mendrisio, they have been dedicating themselves for years to valuable editorial and typographical activities, still printing with mobile characters, preserving the memory of a perfect ingenuity made of manual skills and technique, but also of inventiveness and poetry. Silvio Soldini gives us a realistic and poetical portrait of these two artists-artisans, who chose one of the oldest professions in a modern world, finding great success and approval.

Water, air, earth, fire, ether. Four different stories that tell and show a reaching out towards immortality. We dedicate the element water to immortality in science, that of air to the immortality of art, that of earth to the immortality of faith and that of fire to the immortality of feelings. Ether, linked to the cosmos and the stars, is a tribute to the film industry.

Water, air, earth, fire, ether. Four different stories that tell and show a reaching out towards immortality. We dedicate the element water to immortality in science, that of air to the immortality of art, that of earth to the immortality of faith and that of fire to the immortality of feelings. Ether, linked to the cosmos and the stars, is a tribute to the film industry.

An emotional and philosophical plunge into that invaluable period of life, which is life's own end. Through a year of encounters and conversations, between the filmmaker and the main character; terminally ill with Lou Gehrig's disease. A road movie about love, pain and the need for freedom.

The world of fashion, between the end of the Sixties and the beginning of the Noughties, had a key character that embodied its spirit and told the tale: journalist Anna Piaggi, living witness of that contamination between art, society and culture that changed fashion and sanctioned its success on a global scale. The daughter of a manager for La Rinascente (Milan's iconic high-end shopping mall whose foundation goes back to 1865), Karl Lagerfeld's muse, "a poet with her clothes" in the words of Bill Cunningham, her life is retraced through interviews with designers (Jean-Charles de Castelbajac, Stephen Jones, Manolo Blahnik, and more) together with archival images from four decades of fashion history.

Stonecarvers, masons, carpenters, smiths, electricians, woodworkers, restorers, goldsmiths: the extraordinary, never-ending saga of the fabrication of Milan Cathedral is portrayed in the light of the sacredness of a building that lives through times, rhythms, calendars and aspirations that merge with and transcend the labor of men and women. The anonymous, humble, painstaking everyday care required by a structure such as the Cathedral, over the years and still today, reveals the magnificence of human action that spans time and generations, holding within itself a grand humanist sentiment.

A group of Neapolitan children roam the city in search of Christmas trees. They pile up their mysterious collection in an abandoned courtyard in the Quartieri Spagnoli.

Materia oscura tells the story of a war zone in peacetime. The film location is the Salto di Quirra test range (Sardinia, Italy) where, for over fifty years, governments around the world have tested 'new weapons' and where the Italian government has carried out controlled explosions of old weapon stocks, inexorably endangering the territory.

Angelo is an orphan who grew up with a nomad woman. He reacts to his pain over the death of his best friend for overdose, thanks to the encounter with Serena. She survives being a prostitute, but she has not lost hope. Angelo moves along an axis of characters in a desolate and poetic day without end.

A woman's search for her missing sister leads her to the jungles of New Guinea, where she and an expatriate guide encounter a cult leader and flesh-hungry natives.

A moralistic judge declares war on pornography. His gay nephew, who lives with a transvestite, tries to save himself and also protect his friend Ana, a porn actress.

Michele, Goffredo, Mirko and Vito are four friends who have participated in the battles of the student in Sixties. Now in the Seventies, the four friends don't know what to do, though young and with so many possibilities to find a job in life. Intellectuals marginalized and misunderstood, the four friends find themselves when they can in a restaurant to discuss their outlandish theories. A girl named Olga disrupts their life, but Michele is her favorite, although he does not know what to do with the girl.