Ken Paul Rosenthal

Movies

In Light, In!
Director
A darkly beautiful visual essay that explores human emotion in response to societal standards. With a lone cello providing the soundtrack, this collage of archival footage from 1950’s-era films is a superb example of manipulation via sound and image (Dorothy Woodend, DOXA Documentary Film Festival)
Crooked Beauty
Director
This internationally acclaimed poetic documentary chronicles artist-activist Jacks McNamara’s transformative journey from psych ward inpatient to pioneering mental health advocacy. It is an intimate portrait of her intense personal quest to live with courage and dignity, and a powerful critique of standard psychiatric treatments. Poignant testimonials connect the fissures and fault lines of human nature to the unstable topography and mercurial weather patterns of the San Francisco Bay Area.
Arcs of Texture
Director
A lyrical, energized portrait of an urban landscape in motion. Underground trains, streetcars, buses and escalators embody the impressionistic beauty of architectural reflections like moving paintings. The face of the city is rendered as a light-infused intersection of people, glass, and concrete. Part 1 takes place underground, with an audio collage mixed from ambient recordings of subway stations and trains. Part 2 takes place above ground and features an original score with gamelans, guitar loops, sampled car door locks and brake pumps. – KPR
Near Windows
Director
Nearby windows frame and illuminate four years of voyeuristic observations lyrically woven into a time-lapsed tapestry of light, unsuspecting neighbors, and street drama. At the intersection of private and public space, does a glance become The Gaze? Does the eye become a recording device?
Spring Flavor
Director
The alchemical spirit of film is embodied by images of sun-splintered reeds that have been re-photographed, hand-processed, buried beside a pond, and soaked in cooked wild berries.
For Shadows
Director
For Shadows is a contemplative, multi-layered memoir that unravels the tangled roots of self-harm and explores the process of coming to terms with one’s shadow. The home movies of a child’s formative years and an interior landscape of traumatic domestic memories are excavated and re-constructed alongside sound clips from archival mental hygiene films.