Herbert Asmodi

Movies

Das Totenreich
Screenplay
Denmark, by the end of the 19th century. Gov. Dihmer gives his resignation because of his illness. Two friends, a pastor and a physician, try to awaken his willpower and transcend a journey to Italy. Meanwhile, in the homeland, there are political breakthroughs that make little hope for new times.
Beate und Mareile
Writer
Die Geschichte der 1002. Nacht
Writer
Der Monat der fallenden Blätter
Writer
When British philosopher Harold Hilliard took off for Warsaw to lecture on the Dysteleological Surd, he had no idea that he would soon become embroiled in international espionage. During the trip he tried to open a suitcase he mistook for his own. When a fellow passenger, a Pole with stainless steel teeth, took umbrage, Hilliard put it down to bad manners, but when the same man saw him pick up the wrong coat in the plane, Hilliard realized that he was suspected of spying. The party at the airport to welcome Hilliard only convinced the Polish agent that the British Secret Service was now picking its men with extraordinary cleverness. Hilliard, whose works were little known in England, was warmed by unaccustomed praise but chilled by the apparent certainty of the counter espionage people that he was a British agent whose code name was Whale.
Young Törless
At an Austrian boys' boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Adapted from Robert Musil's acclaimed novel, Young Törless launched the New German Cinema movement and garnered the 1966 Cannes Film Festival International Critics' Prize for first-time director Volker Schlöndorff.
Young Törless
Writer
At an Austrian boys' boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Adapted from Robert Musil's acclaimed novel, Young Törless launched the New German Cinema movement and garnered the 1966 Cannes Film Festival International Critics' Prize for first-time director Volker Schlöndorff.