Gunner Møller Pedersen

Set in the early 1960s, the story revolves around high school sweethearts Jonas and Agnete, their friendships and families, trials and tribulations.

A young woman who falls in love with her teacher is hit by heartache and challenges she is not prepared for and struggles to escape her dark frame of mind.

When Mette and her father are left alone over the Christmas holidays, he starts feeling increasingly rejected and jealous, as his adolescent daughter starts looking for real beaus.

Mads' father’s company is too small for a proper Christmas tree party, so Mads decides to arrange his own for himself and his best friend. But arranging such a party is easier said than done. It involves theft, intrigue and deception. Can Mads overcome the difficulties, or will there be no Christmas tree party?

A boy, as seen through three ages and episodes of his life: as a small boy having a boy cousin as his house guest, as a high-school boy in abject love, and as a young stud trying to bed down a nurse.

Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen.

Ole Ernst stars as an energetic conman lured into trying to set a factory on fire to catch in on the insurance. The plan backfires and both the factory owner, his wife and the conman hunted by the police must flee to Sweden.

An upper grade school class with its inter-relations, scheming and sniffing around for the scent of adult pleasures, all caught in near-cinema verité style.

A nouvelle vague-inspired film about young Danes, their struggles with love, and their philosophical discussions.