Sarara Tsukifune

Ayano, a middle-aged female director met Aoi, young attractive actor at the audition for her new film. Ayano soon felt something different in Aoi and the audition goes far beyond the moral.

Scene one: March 11th, 2011. An earthquake and a tsunami strike the East coast of Japan, damaging the Fukushima Nuclear Power Plant. A man and five other brave power plant workers are sent to fasten a bolt to prevent radiation leaks. Scene two: 2013. The man is now cleaning the empty houses surrounding the nuclear plant. But the strange atmosphere starts giving him hallucination... Scene three: Christmas, 2014. A woman in a red car crashes by the garage where the man is working. The woman looks just like his wife, who died in the tsunami.

A guy spends an extra year studying for college entrance exams but ends up at a second-rate university, and becomes a musician after randomly getting involved with a misguided university rock ‘n roll club. Eventually the guy gets married, has a child, and builds an ordinary life for himself, but he hasn’t been able to break off his college romance with Kaoruko, his S&M dominatrix. When he and Kaoruko go off to one especially shitty gig, existential angst erupts and the trajectory of weirdness goes parabolic.

When realty TV host Carlos Kurozaki breaks into a mysterious underground pyramid for a television event, he removes a special gem. . . and unwittingly releases a diabolical monster called Zaigorg! The evil creature wants Kurozaki's gem, so it spawns an army of giant kaijus to get it! It's up to the famous superheroes Ultraman X, Ultraman Tiga, and the one and only original Ultraman to stop the worldwide monster war!

As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. What started as an internal strife in Outrage has now become a nationwide war in Outrage Beyond.

This is an omnibus of six short films by six different directors, whose lead characters are unconventional women. They are "Hijoshi," females who live true to themselves and their desires.

Betrayed and disgraced, big-city reporter Kazuya Mizuno is banished to a desk at Kaname's boring little town newspaper. But Kaname isn't as boring as it seems on the surface. Not with characters around like Shimeko, a girl genius with a childlike lack of propriety, and her ace fisherman/folk-singer dad. Or the overbearing and unpleasant local Shinto priest, a former Christian cultist. Or Endo, Kazuya's new colleague, a bitter drunk after his son's suicide. Or Kin, a former terrorist, now a hermit on his boat engaging in secret "research." Or perhaps most importantly Teruko, the hypnotically beautiful bar owner, the focus of all manner of innuendo and intrigue. Something mysterious, even mystical, is going on Kaname, and hapless Kazuya is about to be thrown into the middle of it.

Tsuchiya Anna blasts back in time playing an oiran, a top-notched geisha of the Edo period’s Yoshiwara District, navigating brothel politics while trying to cling to the man she loves.