Anne Sofie von Otter

In love with an unknown lady, a young soldier discovers that her grandmother holds a secret to win at cards. Although his beloved shares his feelings, happiness slips out of reach when his obsession with the powerful secret drives him to madness.

A portrait of Benny Fredriksson who for 16 years was CEO of Kulturhuset / Stadsteatern. He also had a background as an actor and director. In connection with a media hunt he resigned and later took his own life.

A major work from the remarkable partnership of playwright and poet Bertolt Brecht and composer Kurt Weill, Mahagonny was first performed in Leipzig in 1930. Its first ever Royal Opera staging, by Associate Director of Opera John Fulljames, is sung in English, and conducted by Mark Wigglesworth – recently announced as the successor to Edward Gardner as Music Director of English National Opera. Mahagonny is a satire on money, morality and pleasure-seeking among the dubious citizens of a fictional city. The richly varied, jazz-infused score, influenced by ragtime music, includes such irresistible melodies as the ‘Alabama Song’ and many dramatic ensembles. The superb cast includes Kurt Streit as the wild lumberjack Jimmy, Christine Rice as his sweetheart Jenny, Anne Sofie von Otter in a welcome return to The Royal Opera as the cunning Leokadja Begbick, and Peter Hoare and Willard W. White as her helpers and fellow-fugitives Fatty and Moses.

Opera fantastique in five acts (1881), new version by Sylvain Cambreling & Christoph Marthaler. With Eric Cutler and Anne Sofie Von Otter. Teatro Real, filmed on 05/2014

Debussy's masterpiece, for the first time conducted by the Paris Opera's music director Philippe Jordan, in the fairy staging by Robert Wilson. When Prince Golaud, grandson of King of Allemonde, meets the beautiful Mélisande, he knows nothing about her. Though, he marries her. A few months later, Golaud announces his wedding to his brother Pelléas, who seems to be falling in love with the woman.

When the beloved cellist of a world-renowned string quartet is diagnosed with a life threatening illness, the group's future suddenly hangs in the balance as suppressed emotions, competing egos and uncontrollable passions threaten to derail years of friendship and collaboration. As they are about to play their 25th anniversary concert — quite possibly their last — only their intimate bond and the power of music can preserve their legacy.

"Bartoli remains at her peak. Not only is her coloratura flawless, and her voice as colorful and ravishingly beautiful as ever, but her ability to use her incomparable technique at the service of expression has also deepened with age. As a seductress, Bartoli was irresistible. Teasing out her incomparably agile coloratura runs, she softened high notes to tickle the senses with a mixture of sweetness and delight. When, in the second act, she mounted a missile and diagonally ascended into the heavens, it felt as though she were riding the ultimate pink Cadillac off to her honeymoon rendezvous. And in her final aria, "Da tempeste il legno infranto" when she danced around the stage and adorned herself with strings of lights while flashing the trademark Bartoli smile, it was all one could do to resist running onstage and give her a huge hug."

Including world-class artists such as Bryn Terfel, Cecilia Bartoli, Anne Sofie von Otter, Jose Cura, Simon Keenlyside and Agnes Letestu, this 50-minute sampler will give you a taste of many beloved classics in opera and ballet.

Written by Georges Bizet, on a libretto by Henri Meilhac and Ludovic Halévy, Carmen premiered at Opera Comique in Paris, France on March 3, 1875. The opera spurred mixed emotions amongst critics and casual operagoers. As a result, numerous planned performances were canceled. Bizet died on June 3, 1875 firmly believing that Carmen was a failure. Since the early 1880s, however, Carmen has been one of the most frequently performed operas in venues around the world. [BluRay.com]

David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.

A profile of mezzo-soprano Anne Sofie von Otter.

Experience Claudio Monteverdi's three-act opera in the environment it was meant to be seen with this release of a filmed performance captured live during a 2000 production staged at the Festival d'Aix-en-Provence in France. Mireille Delunsch, Anne Sofie Von Otter, and Sylvie Brunet star, and conductor Marc Minkowski leads the Les Musiciens du Louvre, Grenoble. Klaus Michael Grüber directs for stage.

John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1997 concert was conducted by Claudio Abbado and featured Roberto Alagna (tenor), Anne Sofie von Otter (mezzosoprano), Bryn Terfel (baritone), Gil Shaham (violin), Mikhail Petnev (piano) performing: Georges Bizet: Carmen (Excerpts), Sergej Rachmaninov: Rhapsody on a theme of Paganini, Pablo de Sarasate: Carmen Fantasy, Op. 25, Maurice Ravel: Rhapsody Espagnole, Manuel de Falla: El Amor Brujo - Ritual Fire Dance, Johannes Brahms: Hungarian Dance No. 5.

Felicity Lott, Anne-Sofie Von Otter, and Kurt Moll star in this production of Richard Strauss' opera, staged in Vienna in 1994. A romantic comedy of errors. Princess von Werdenberg must hide her affair with Octavian from her family; when he disguises himself as a chambermaid to avoid scandalizing the Princess, he is pressed into presenting a gift to Baron Ochs von Lerchenau, who has arrived to propose marriage to Sophie von Faninal. However, Ochs soon finds himself infatuated with the chambermaid, much to Octavian's chagrin, which proves to be only the first of a long series of romantic misunderstandings. This production of Der Rosenkavalier is performed by the Vienna State Orchestra and Chorus, under the direction of Carlos Kleiber.

Sir Neville Marriner conducts this 250th Anniversary performance. Soloists include Sylvia McNair, Anne Sofie Van Otter. The performance is supported by an informative background film "For Ever and Ever", explaining the circumstances behind the composition and the work's early impact, featuring contributions from the popular Handel scholar Professor H.C. Robbins Land and from Sir Neville Marriner himself. Recorded in 1992, this performance of Handel's awesome "Messiah" took place on the 250th anniversary of the initial rendition of the piece. Recorded at the Point Theatre in Dublin, Ireland, this is an especially poignant rendition as it takes place in the city where it was originally performed in 1742.

This live recording was made at the Royal Albert Hall during one of Londons famous Promenade Concert seasons. Sir Georg Solti conducts the Chicago Symphony Orchestra and Chorus in a magnificent performance of Berliozs concert cantata. This feast of Berlioz launched Soltis farewell tour with the orchestra he had directed for twenty years and was described by The Times as the unsurpassable culmination of two decades of music-making...one that summarised all that has been most admirable about Soltis long reign in Chicago. Like reading the book by flashes of lightning was how one writer described the relationship of Berlioz to Goethe in this Dramatic Legend, his way of shaping twenty scenes selected from the story into a narrative in four parts. Though it has sometimes been staged, the works drama is to be found within the music itself, which illuminates the incidents with what the conductor Sir Thomas Beecham once called a bunch of the loveliest tunes in existence.