Chen Daoming
Birth : 1955-04-26, Tianjin, China
Actress Zhang Ziyi, actor-and-director Wu Jing, comedian Shen Teng, and actor-and-director Xu Zheng come together to direct four short films as part of a new anthology drama paying tribute to China’s families.
Lu Yanshi
Lu and Feng are a devoted couple forced to separate when Lu is arrested and sent to a labor camp as a political prisoner during the Cultural Revolution. He finally returns home only to find that his beloved wife no longer remembers him.
Jiang Jiedan
In 1942, Henan Province was devastated by the most tragic famine in modern Chinese history, resulting in the deaths of at least three million men, women and children. Although the primary cause of the famine was a severe drought, it was exacerbated by locusts, windstorms, earthquakes, epidemic disease and the corruption of the ruling Kuomintang government.
玉帝
A completely remade animation film based on the original 1961 animation The Monkey King. Mythical ancient China. Born from some magic stones that fell to Earth a long time ago when Goddess Nüwa mended the sky, Sun Wukong, aka Monkey King, sets off on his first adventure to gain a worthy weapon. This earns the attention of the Jade Emperor of Heaven.
Gu Weijun
A chronicle of the events that led to the founding of the Chinese Communist Party.
Wang Deqing
The epic story of a family separated as a result of the Great Tangshan Earthquake of 1976. Based on the Tangshan Earthquake in 1976 that took the lives of 240,000 people.
Master Hua
In the northwest desert where countless prosperous dynasties have flourished and fallen, there is rumor of a treasure of unbelievable riches buried among it. A group of mysterious guardians have been guarding the map to the location of the treasure until a fierce rivalry erupted. A notorious international crime group, The Company hunted down the map keeper and before they managed to secure the map, the keeper passed the map to a young chivalrous man Ciao Fei. Ciao Fei was forced to give up the map to save the live of his mentor’s daughter Lan Ting. Teaming up with Hua Ding Bang and Lan Ting they embark on a dangerous journey to recover the map and fight to protect the ancient treasure.
Yan Jinwen
The tale of one man who fought against the tyranny of a ruler and led his people in battle in the ultimate sacrifice for his country.
Having witnessed all his students died for conflicts among warlords and handicapped during a battle, a painter leaves his troop behind, settles down at a small utopia-like village and becomes a kite maker. This is early 1930's. He marries a local girl who never speaks. A young music student comes and takes the girl's heart away. Suddenly, Japan's war machine rolls into the quite village and everything beautiful is doomed.
Shadow Shen Cheng
While Yeung Kam Wing is trying to remove all connections between the mob and him, his actions are being carefully observed by Lau Kin Ming, who bears a personal grudge against him.
King of Qin
One man defeated three assassins who sought to murder the most powerful warlord in pre-unified China.
Gu Weijun
To the Chinese, the Conference at Versailles was more of an insult at their dignity and sovreignity than a celebration of peace.
八贤王
Zhou Yu
The Three Kingdoms (simplified Chinese: 三国; traditional Chinese: 三國; pinyin: Sān Guó) from 220 to 280 AD was the tripartite division of China among the dynastic states of Cao Wei, Shu Han, and Eastern Wu. The Three Kingdoms period was preceded by the Eastern Han dynasty and was followed by the Western Jin dynasty. The short-lived state of Yan on the Liaodong Peninsula, which lasted from 237 to 238, is sometimes considered as a "4th kingdom".
Emperor Tongzhi
Han Hsiang Li's lush epic re-creates the fascinating life and times of Tzu Hsi, the Manchu Qing dynasty empress who rose from the ranks of Emperor Xianfeng's many concubines to become the de facto ruler of China for nearly 50 years.
乌世保
Director Zhang Junzhao's superbly tense revisionist war film (featuring striking cinematography from future Fifth Generation standard bearer Zhang Yimou) is widely considered to be the first work of Mainland Fifth Generation cinema.