Victoria Ruskin

A comedian tries to make it as a serious actor when his reality-TV star fiancé talks him into broadcasting their wedding on her TV show.

G.G. Sparrow faces off with her choir's newly appointed director, Vi Rose Hill, over the group's direction as they head into a national competition.

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind and water. It is cold enough to crack stones, and, when the snow falls it is gray. The sky is dark. Their destination is the warmer south, although they don't know what, if anything, awaits them there.

Maurice and Dave sell high-end cuts of beef, but after hitting a patch of no sales, they're facing being fired. Maurice needs money to enroll in his final semester of acupuncture school, and the recently-separated Dave needs money for his daughter's birthday gift. Their final client card—a beautiful woman—is attracted to Maurice, but a desperate call from a suicidal friend interrupts her signing the contract. Still hoping to close the sale, they offer to drive her to the friend's house—where their troubles multiply.

A grief-stricken screenwriter unknowingly enters a three-way relationship with a woman and her film executive husband - to chilling results.

The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star — the first totally believable synthetic actress.

A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.