Makeup Artist
A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.
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Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. His memories are in no particular order, they move back and forth in time. Marcel at various ages interacts with Odette, with the beautiful Gilberte and her doomed husband, with the pleasure-seeking Baron de Charlus, with Marcel's lover Albertine, and with others; present also in memory are Marcel's beloved mother and grandmother. It seems as if to live is to remember and to capture memories is to create a work of great art. The memories parallel the final volume of Proust's novel.
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In 1830s France, pianist/composer Frédéric Chopin is pursued romantically by the determined, individualistic woman who uses the name George Sand.
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In 18th century France, Marquise de Merteuil asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don’t go as planned.
Makeup Artist
World Chess Champion Akiva Liebskind (Michel Piccoli) faces his former pupil Pavius Fromm (Alexandre Arbatt), who defected to the West from the Soviet Union five years earlier, for the World Chess Championship in Geneva, Switzerland. The tension and strategies between the players draw parallels to the political conflicts and ideologies between East and West during the Cold War.