Lil (uncredited)
One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost?
Girl
An alcoholic woman was charged and tried for murder and a young defense attorney, unaware that she is his mother, takes the assignment to defend her in court.
Antonio Camaradino, florist and street musician, befriends a man robbed of his overcoat and money in a disreputable bar. Tony recognizes the man as Jorny, mayor of Avalonia, a straitlaced town where Tony was once arrested for playing his hurdy-gurdy. After this meeting, Tony's travels take him again to Avalonia. Camped on the outskirts of town, he meets June Ramsey, a cousin of the mayor's wife, ejected from town by the mayor because his reelection campaign is jeopardized by her having been seen in a roadhouse. Under considerable pressure because he wishes to conceal his previous encounter with Tony from the opposition, Jorny returns Tony's favor by asking June's forgiveness and inviting her to return to Avalonia. June accepts his apologies; she then follows Tony, with whom she has fallen in love.
Inmate
High school students led by the Girl and Boy turn from Christianity toward secret atheistic meetings. When a girl is accidentally killed by a stairway collapse, the Girl and Boy go to reform school where they are treated brutally.
Two Gun Rosie
Based on a true story, two-timing boozing wife Roxie Hart kills her lover in cold blood after he leaves her, and finagles her way out being indicted. The basis for Kander/Ebb's 1975 Broadway musical of the same name and its Oscar-winning 2002 film adaptation.
Adulterous Woman
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
