Kathleen Collins

Kathleen Collins

Birth : 1942-03-18, Jersey City, New Jersey, USA

Death : 1988-09-18

History

Kathleen Collins was an activist with SNCC during the Civil Rights Movement who went on to carve out a career for herself as a playwright and filmmaker during a time when black women were rarely seen in those roles. Her most known work is the film Losing Ground, followed perhaps by two plays, In the Midnight Hour, and The Brothers.

Profile

Kathleen Collins

Movies

Losing Ground
Editor
Sara, a cold college professor, and her husband, an ecstatic painter, spend a summer away from the city, straining their rocky relationship.
Losing Ground
Executive Producer
Sara, a cold college professor, and her husband, an ecstatic painter, spend a summer away from the city, straining their rocky relationship.
Losing Ground
Writer
Sara, a cold college professor, and her husband, an ecstatic painter, spend a summer away from the city, straining their rocky relationship.
Losing Ground
Director
Sara, a cold college professor, and her husband, an ecstatic painter, spend a summer away from the city, straining their rocky relationship.
The Cruz Brothers and Miss Malloy
Writer
The adventures of three Puerto Rican brothers scraping by while contending with the ghost of their dead father. The three brothers are tasked with refurbishing the house of Miss Malloy, but undercurrents of the past keep resurfacing.
The Cruz Brothers and Miss Malloy
Editor
The adventures of three Puerto Rican brothers scraping by while contending with the ghost of their dead father. The three brothers are tasked with refurbishing the house of Miss Malloy, but undercurrents of the past keep resurfacing.
The Cruz Brothers and Miss Malloy
Director
The adventures of three Puerto Rican brothers scraping by while contending with the ghost of their dead father. The three brothers are tasked with refurbishing the house of Miss Malloy, but undercurrents of the past keep resurfacing.
Statues Hardly Ever Smile
Editor
Edited by famed filmmaker Kathleen Collins, Statues Hardly Ever Smile follows a group of middle school children during a six-week project at the Brooklyn Museum, where they collectively discover and respond to the Egyptian collection. With narration by a member of the museum’s education department, we witness the group’s daily exercises and reflections as they create a theatre piece centered on the relationships developed with the objects and each other.