Šimon Hájek

During an unsuccessful burglary attempt, Jaroslav accidentally kills his old neighbour. His wife, Dana, concocts a plan to make the murder seem like an accident. Another neighbour stands in the way, however, whom they also have to eliminate. Dana convinces Jaroslav to help her. They attempt to use this incident to solve some of their financial problems. With the vision of easy money, the Stodolas start killing elderly people. Initially, they proceed to cover up the murders as accidents or suicide and the police do not do much to prove it otherwise.

One night and a wad of cash he suddenly has to come up with quick. So he and his friend Láďa have to set out on a wild Friday odyssey full of cocaine and rap. The pursuit of fame and respect in the music scene slowly transforms into a desperate and dangerous attempt not to miss out on the chance of a lifetime. In their adrenaline-fueled ride through the nighttime streets of Prague the pair of friends are caught in a time crunch, teetering between a rap career and a moral choice which threatens the lives of dozens of young people.

Fifty-something former miner Jaroslav has always dreamt of a career as a race car driver. In a congenial and jovial manner, he represents not only the charms and struggles (especially economic) of southeastern Moravia, but also the ever more visible chasm between city and countryside. An uncommonly charismatic portrait of a man struggling with the traumas of the past who, with disarming directness, clings to the promise of good luck and a dignified life alongside a new partner.

As two beach volleyball partners focus on personal matters and a championship tournament, a quirky figure disrupts their game on and off the court.

When the junior ice hockey team from the small town of Náchod, in the Czech Republic, sets off in a bus to Morocco to play the away game in an exchange programme, the players and their coach expect an easy victory and a cultural shock: “bring ear plugs”, the coach suggests them with a touch of undisguised condescendence, so as not to hear the call to prayer early in the morning. Both on and off the ice, Rozálie Kohoutová and Tomáš Bojar’s camera focuses on a few teenagers and their exchanges, simultaneously funny and cruel, in a clumsy English.

Roman is a top level cyclist recovering from an injury through hard work and strict regimen. To improve his performance, he even sleeps in an oxygen tent installed in his bedroom. That is a bitter pill to swallow for his wife, Šarlota, whose long-time wish is to conceive a child. And so they both brim with determination, get lost in their obsessions, and improve their bodies to a point where they might even frighten themselves.

Olda, a seventeen-year-old teenager, awaits his trial in a detention center for juveniles. There, he tries to fill the void of prison’s monotony and reminisces about the brutal assault he committed on a homeless man, that resulted in his death. However, his memory is just as imperfect and incomplete as the effort to understand his unreasonable violence.

Alone is about the 91-year-old actress and writer Luba Skořepová, who used to be a member of Czech National Theatre group for almost 70 years. She still wants to work but for many people she is too old. So she tries to manage her last play from her small apartment by a cell phone. The film is about hope and about hopelessness of faded glory.

A documentary survey of urban night life and insomnia. Following several characters who inhabit the dark world of 24-hour bars, slot machine dives, night clubs and casinos, this film offers a glimpse into the world of people who live in an eternal night.

Story follows two best friend on private investigation. They are going to their hometown to prove that Michals mother was killed by his stepmother.

A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”

Honza Marak has long since abandoned a career in IT and has bought a cottage on the outskirts of a small village, where he’s settled in with his wife Marketa, daughter Anyna and son Sayen. He works in the woods as a forest labourer repairing roads and enclosures, cutting wood to sell and assisting the foresters. Marketa earns a living as a masseuse and alternative healer, making use of various mind-altering plants and mushrooms, which leads to conflict with the old inhabitants and eventually with drug enforcement. Daughter Anyna attends a distant school where her grades deteriorate as she wanders the woods learning from nature rather than from her textbooks.