Evolves around the rooms of a house as one of the main characters, Lisiska, is waiting and is studied in depth as she prepares herself for a meeting. The film attempts to display sexual barriers and misconceptions, and about the role-playing and the confusion around the whole question of sexual and sensual involvement. The essence is the confrontation with self-deception, lies and the real fear of contact with both sexes.
After 50 years of service, the district usher Johann Peter Neusigl is supposed to get awarded a Royal-Bavarian medal of merit. Since government director Steinbeißl has announced that he wants to witness the awarding ceremony in person, district magistrate Kranzeder decided to splash out. He organises, with his wife Amalie, a banquet in their parlour, although both of them rather begrudge Neusigl the award. But after all, it is necessary to cut a good figure for the dignitaries. As the government director arrives, after a few incidents during his journey, belated, the event, however, has already degenerated into a boozy carousal which culminates in a scuffle.
Lashing rain, thunderstorms, fog and a godforsaken, eerie train station: the mood among the six travelers who have to wait for their connecting train here in the middle of the night is extremely tense. In keeping with the gloomy scenery, the station master also tells his involuntary guests the story of the ghost train ...
Der Kampf der Tertia (Fight of the Tertia) is the story of a group of tough but sensitive German schoolboys. Upon learning that a local catskin dealer intends to buy up all the local felines, the boys organize a boycott against the man. It's a uphill climb, since the dealer has the law and the government on his side, having spread a rumor that the cats were diseased and needed to be killed off. Thanks to the boys, who aren't above a little larceny and duplicity themselves, the villain is foiled and the world made safe for meowers and mousers once more. Kampf der Tertia is based on a popular children's novel by Wilhelm Speyer.
