Giorgos Korras

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

This Greek-Bulgarian-Cypriot co-production depicts the plight of Albanian illegals in Athens and its Piraeus port. Greek intellectual Christos (Akis Sakellariou) unintentionally falls in with a streetwise group of manipulative Albanian scam artists, including Victor (Armando Dauti) Omer (Laert Vasili) and Fuad (Muzafer Et' Hem Zifla). Minus papers, they are nevertheless successfully able to get by in Greece. Eventually, Christos takes a trip to the Albanian village where the duo grew up amid murderous blood feuds.

This Greek-Bulgarian-Cypriot co-production depicts the plight of Albanian illegals in Athens and its Piraeus port. Greek intellectual Christos (Akis Sakellariou) unintentionally falls in with a streetwise group of manipulative Albanian scam artists, including Victor (Armando Dauti) Omer (Laert Vasili) and Fuad (Muzafer Et' Hem Zifla). Minus papers, they are nevertheless successfully able to get by in Greece. Eventually, Christos takes a trip to the Albanian village where the duo grew up amid murderous blood feuds.

This film is about life at a country health resort seen through the eyes of Christos, a young man from Athens who has just been discharged from the army. Christos is there because he is enthralled by the rebellious Manolis, a three-time army deserter his same age.

This film is about life at a country health resort seen through the eyes of Christos, a young man from Athens who has just been discharged from the army. Christos is there because he is enthralled by the rebellious Manolis, a three-time army deserter his same age.

Aris and Thanos are good friends and they share an apartment. The arrival of Stella will unbalance their relationship.

Aris and Thanos are good friends and they share an apartment. The arrival of Stella will unbalance their relationship.

The wife of an alcoholic and mother of four (Toula Stathopoulou) is a factory worker in Corfu at the beginning of the 20th century. A fallen noble man who has fallen on hard times (Stratis Tsopanellis) wants to marry her eldest daughter (Anny Loulou) and take advantage of the family's meager earnings. He kidnaps the not-unwilling girl, and argues with her mother about the dowry. But the girl refuses to marry him when she wakes up to the fact that he is only looking out for his own interests. She then decides to start working in order to earn money to raise the child she is expecting. The film is an adaptation of the novel 'For Honor and Money' by Konstantinos Theotokis.

Against the backdrop of Athens' bustling streets, a Greek white-collar worker starts his day off by doing various errands, and even though he hasn't worked all day, in reality, he is exhausted. Is this what his typical day off looks like?

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.

A young chemical engineer finds a new job in a multinational corporation. As he climbs the career ladder, he loses his humanity.

A love story, set in Athens of 1977, between a young woman, who works as a journalist, and a stage actor, who has decided to abandoned theatre. The film borrows its title from a hit by singer Mitropanos, “I remember you leaving, all my life”. Politics, the Left, artistic impasses of a creator, theatre, the relationships between men and women; with the man always abandoning the girl, as the title of the film (and the song) suggests.

A love story, set in Athens of 1977, between a young woman, who works as a journalist, and a stage actor, who has decided to abandoned theatre. The film borrows its title from a hit by singer Mitropanos, “I remember you leaving, all my life”. Politics, the Left, artistic impasses of a creator, theatre, the relationships between men and women; with the man always abandoning the girl, as the title of the film (and the song) suggests.

At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.