Adnan Malik

A woman who takes care of her aging parents and their land is joined by her sister when their parents' health worsens.

After a failed suicide attempt, a man and a librarian fall in love in a rehabilitation center, where a kind-hearted doctor comes to their rescue.

In the spirit of the EC horror comics of old, the film tells the story of five teens who get lost on their way to a rock concert, are menaced by flesh eating mutations and then fall into the clutches of a family of backwoods killers. The film includes copious amounts of gore alongside a splattering of social commentary and several slices of dark humour. It’s best seen as a tribute to the cinema of Lucio Fulci and George Romero, but viewed from a distinctly Pakistani perspective.

A documentary about the history of Pakistani cinema

Consider Manhattan a sprawling Hollywood set. Amongst the swarms of people that crowd the streets like extras, Fayaaz Bijli is another face relegated to the background of our visual spectrum. Come sundown, however, and the inconspicuous Fayaaz morphs into the iconic personae of ‘Bijli,’ a voluptuous Pakistani drags queen. Yet beneath the flamboyant stage presence lies a courageous individual who has carved out a unique and cherished identity for herself in a world that has been all too quick to label her as an ‘outsider’. Defining herself as a woman stuck in a man’s body, Fayaaz has spent her life struggling between the polar tensions of male/female, East/West and Islamic faith/promiscuity. This film is a glimpse into Fayaaz’s psyche as she navigates her way through a New York City life.