Macedonia is a small country, in the heart of the Balkans, which for five centuries was under the yoke of the Ottoman Empire. The action of the film "To the Hilt" takes place in the years of the general collapse and "free fall", after the Macedonian uprising of 1903 which was extinguished in blood. The story is a love quadrangle between an uncompromising idealist rebel, a merciless Turkish officer, an opportunist rich man's son returning home after his studies in Europe and a lucid and open minded European woman, who flirts with the three men and puts in train a series of events with dire consequences, that she could hardly imagine. The film is a harsh and romantic story in which the eternal Macedonian cause for own identity and independence is seen through the prism of relativity of the ideas of freedom, justice, love, sacrifice, and treason.
Through fragments of the life of Boris and his son Matej, the film is about the conflict of generations, the gap created by the ideological coloration that one has and the other does not have. Political prisoner Boris, after spending several years in prison, returns home. After the divorce with his wife, in his apartment now live his son Matej, a grown man who is trying to earn his living as a musician, his girlfriend Mira and a hitchhiker that Matej found on the road.
A poor Macedonian woman named Ilinka is offered to marry a guest worker for German papers, but she first must divorce her husband Trajče who's struggling to provide for the family.
This film is a fascinating story about the life of Mileva Maric, a Serbian woman who was Albert Einstein’s first wife. It is an uplifting dramatic story about a woman who was a life companion during the most fruitful period of Einstein’s scientific work. Mileva intentionally carried to her grave one of the greatest secrets of modern science about her real contribution to the scientific work of Albert Einstein. Beside this eternal mystery, the film wishes to depict the love and dedication of Mileva to his husband’s fate, carrying herself a real Central European destiny of the first half of the XXth century.