Editor
Portugal, Brazil and Cape Verde. Countries linked by the sea and the culture of nostalgia. The film travels across three continents and finds characters marked by absences produced by events that transform the history of these countries. Like fascism, colonization, slavery, dictatorships and leaving never to return. The culture of saudade is the thread that connects conversations by the sea.
Screenplay
Portugal, Brazil and Cape Verde. Countries linked by the sea and the culture of nostalgia. The film travels across three continents and finds characters marked by absences produced by events that transform the history of these countries. Like fascism, colonization, slavery, dictatorships and leaving never to return. The culture of saudade is the thread that connects conversations by the sea.
Production Director
Portugal, Brazil and Cape Verde. Countries linked by the sea and the culture of nostalgia. The film travels across three continents and finds characters marked by absences produced by events that transform the history of these countries. Like fascism, colonization, slavery, dictatorships and leaving never to return. The culture of saudade is the thread that connects conversations by the sea.
Executive Producer
Portugal, Brazil and Cape Verde. Countries linked by the sea and the culture of nostalgia. The film travels across three continents and finds characters marked by absences produced by events that transform the history of these countries. Like fascism, colonization, slavery, dictatorships and leaving never to return. The culture of saudade is the thread that connects conversations by the sea.
Director
Portugal, Brazil and Cape Verde. Countries linked by the sea and the culture of nostalgia. The film travels across three continents and finds characters marked by absences produced by events that transform the history of these countries. Like fascism, colonization, slavery, dictatorships and leaving never to return. The culture of saudade is the thread that connects conversations by the sea.
Director
Director
Director
The weather, the wind. The fish, the beach. Work and her.
Writer
In the ‘land without evil’ humans will find peace, according to the Guaraní. Not far from Rio de Janeiro, they have built a village where they can live according to their customs and their children can grow up equally influenced by ancient traditions and the modern world. The uncommented observation of their everyday lives full of games, laughter and music enables the audience to pose questions – and to search for their own right answers.
Director
In the ‘land without evil’ humans will find peace, according to the Guaraní. Not far from Rio de Janeiro, they have built a village where they can live according to their customs and their children can grow up equally influenced by ancient traditions and the modern world. The uncommented observation of their everyday lives full of games, laughter and music enables the audience to pose questions – and to search for their own right answers.
Producer
We are in the Sahara, in Rio de Janeiro, but it could be Beirut!
Writer
We are in the Sahara, in Rio de Janeiro, but it could be Beirut!
Director
We are in the Sahara, in Rio de Janeiro, but it could be Beirut!
Producer
From a lifetime, a single memory has survived. Only one.
Writer
From a lifetime, a single memory has survived. Only one.
Director
From a lifetime, a single memory has survived. Only one.
Conceptual Design
Mexico Cup, 1970: Pelé scores the goal against Czechoslovakia, helping the Brazilian team towards its third championship. Orlando Abrunhosa immortalized the feat in the most reproduced photo around the world, but this is not his only feat.
Director
The stage is the general of Maracanã stadium. On stage, the fans known as geraldinos in a spectacle of ecstasy, fury, joy and pain.
Director
A short documentary film built with Super 8 images. A lyric journey through the images and sensations revealed by the memories and dreams of blind people.
Director
Jean Leguay, working under the pseudonym Jano, is a pop French visual artist. In late 2000, he visited Rio de Janeiro in order to make this book. Jano immersed himself completely in the “Rio de Janeiro life style”, going to places that will never be showed on post cards, meeting people from all layers of society, observing, experimenting, interacting.
