Michel Foucault

One summer’s evening in 1933, the writer Raymond Roussel closes the door of his hotel room in Palermo. He swallows pills, drags the mattress to the centre of the room and lies down on it. The next morning his companion finds his corpse. But is he really dead?

From this "inexorable disease", Hervé Guibert did not recover. The miracle he had so much hoped for did not happen. But, before his death in 1991, three years after learning of his HIV-positive status, he engraved in his literary and photographic work "the places of [his] suffering", "the stations of [his] way of the cross". With his thin body and sunken cheeks, the handsome man with curly hair that he was, the one whose clear gaze radiated from the seaside photos, fought a fierce battle against AIDS. A fight of every moment against the decay of the body, observed and commented with a methodical care in his autobiographical novels, in particular "To the Friend Who Did Not Save My Life" (1990) and "The Compassionate Protocol" (1991), and of which he testified on television on the set of "Apostrophes"...

Recounts the epic of Vincennes Experimental University Center, from its creation after the events of May 68 until its demolition in the summer of 1980. To talk about Vincennes is to relive unique ten years of intense intellectual and political extravaganza, educational and artistic inventiveness, utopias, hopes, and betrayals that marked the history in a unique place, the forest with the eponymous name.

In both his private and public life, Foucault often contradicted himself, especially when his ideas collided with the institutions where he worked. Contemporary critics and philosophers reframe their legacy in an effort to build new ways of thinking about his struggle against the mechanisms of domination within society, demonstrating how the conflict lies at the heart of his life and work.

A voyage to the center of the thought of Michel Foucault (1926-1984), a tireless explorer of the margins, a brilliant and atypical thinker, through excerpts from his books and lectures, and the use of images that resonate with them.

About René Allio's 1973 film, " I, Pierre Rivière…", Pascal Kané interviews the filmmaker as well as Michel Foucault, the scientific editor of Pierre Rivière's text.

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.

The Chomsky–Foucault debate was a debate about human nature, between Noam Chomsky and Michel Foucault in the Netherlands, in November 1971. Chomsky and Foucault were invited by the Dutch philosopher Fons Elders to discuss an age-old question: "is there such a thing as 'innate' human nature independent of our experiences and external influences?"

A discussion between Jean Hyppolite, Georges Canguilhem, Paul Ricoeur, Michel Foucault and Alain Badiou on the subject of philosophy and truth. Curated by Dina Dreyfus.