André Halley des Fontaines

In North Africa, an anguished husband tests the character of the doctor he believes is responsible for his wife’s death.

A terminally ill Mr. Bard, a casino bus driver forced to quit his job, miraculously wins a fortune playing roulette. Instantly becoming a millionaire, he wants to fulfill his life's dream: to become a father. This plan is opposed by his greedy relatives who would go any low to take this money away from him. They are being led by a small-time crook. Mr. Bard's natural shyness and good heart lead him to the journey of self-exploration and finding his true love.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

François Donge, a rich industrialist and womaniser, meets a girl nicknamed Bébé who he marries. Ten years later, poisoned by his wife and dying in hospital, he recalls his married life and understands how his wife who adored him suffered from his many affairs and indifference.

Jacques Mervel, also known as "L'Homme de la Jamaïque" makes use of his talents as a gun runner in Tangiers, Morocco. After triumphing over a rival gang, he decides to quit the job and to start a new life with Vicky, a pretty young nurse. In Paris, a doctor lets him know that he is affected by leprosy. In desperation, Jacques runs away from Vicky to spare her. When she realizes the reason why Jacques has disappeared from her life, she joins him with a view to helping him fight the disease.

As the title of this French documentary indicates, Ce Siecle a 50 Ans examines the 20th Century at its halfway point. Utilizing the archives of several European film reserves, director Denise Tua offers a fascinating mosaic of the people and events that shaped the years 1900 to 1950. Complementing the vintage film clips are three dramatized sketches, delineating the romantic customs of three different points in time. These sketches are inadequately performed, and can easily be ignored. Ce Siecle a 50 Ans both preserved and provided celluloid material for scores of future documentaries.

François, a young student at a provincial college, likes Colette, the daughter of the headmaster. Turlot his colleague, who commits suicide, left a diary where he writes of his relationship with Colette.

Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the first time in his life, this is for real. The film is also a sharp picture of the fashion world.

A man is shot In the hotel of an imaginary South American country. Clarence and Montès, two inspector students, must solve this murder, but they don't know that dead guy is the USA public enemy No.1.

A man and a woman arrive in a cafe-hotel near the Belgian frontier. The customers recognize the man from the police's description: his name is Amedee Lange, and he murdered somebody in Paris. Lange was an employee in a printing works. His boss was a real bastard, swindling every one, seducing female workers... One day he fled to avoid facing his creditors, and the workers set up a cooperative to go on working. What then made Lange a killer?