Antonio Carmona

A group of top female agents from American, British, Chinese, Colombian, and German government agencies are drawn together to try and stop an organization from acquiring a deadly weapon to send the world into chaos.

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

Quique is a successful 30-year-old composer. He does not have the necessary funds to support a broken family. With a sister who is in prison for trafficking drugs and an elderly mother suffering from Alzheimer's, he decides to reconcile his activity with a new job: Drug dealer.

This documentary is a effort to recover the memory of The Sacromonte, a suburb of Granada city. Chus Gutiérrez researches the relation between the suburb and the flamenco.

Andres is a flamenco singer who has just gotten out of prison after being falsely convicted of the murder of Romero, a member of his band. As Andres tries to re-acclimate himself to freedom, he discovers things have not been going his way while he was up the river; his wife Lucia is having an affair with another man, while his bullying father Isidoro is obsessed with getting revenge against Don Manuel, who rules a local crime syndicate known as the Junco Family.

Havana, Cuba, 1979. Flamboyantly gay artist Diego (Jorge Perugorría) attempts to seduce the straight and strait-laced David, an idealistic young communist, and fails dismally. But David conspires to become friends with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two. But can it last? Strawberry and Chocolate became an instant hit when it was released, and has become a classic of Cuban cinema due to its charming and authentic exploration of a connection between two people under historical circumstances that seem levelled against them.

Pedro goes out searching for a girl, but the night doesn't seem to be good. While he is talking with a friend, he sees Sara breaking up with a boy. He goes after her, and they end up sleeping in his house. Time goes by and they continue together. But Sara has too many men around and Pablo can't stand that. Their relation is difficult, they love each other but, at the same time, they can not be together.