Fanny Migneault-Lecavalier

Independent production and very free artistically, the film will lock you in the apartment of an editor, while the latter goes crazy while finishing the assembly of a film.

It all starts in June, with friends gathered at a cottage. All laughs and good times, Laurie and Olivier bask in their new love. But the next day, she’s leaving for a year in Spain, and Olivier starts to mourn a romance that never really got started.

A young woman finds herself spiraling after the death of her father.

Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones' lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones' inner lives — it's an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.

Léandre is a Montreal computer scientist in charge of the protection of the Minister of Public Safety. After selling secret information to the Mafia, he realizes he’s been directly implicated in an attack on the politician. If things weren't bad enough, Léandre ends up in the hospital because of awfully painful kidney stones. He then decides to leave his problems and his girlfriend behind to find refuge with his aunt in his small hometown of Havre-St-Pierre. Hiding from everyone that he’s wanted by the police, Léandre renews his relationships with his childhood friends and his childhood sweetheart, Ève.

It's summer and all is euphoria. Philippe is deeply in love, but his rationality is blocking him.