Producer
A yacht lies at anchor in a bay off the Sicilian coast. Naomi, a young Japanese woman, has four days to leave her son with a lasting memory of her before she loses custody of him forever. In this hostile environment, Naomi faces the difficulty of approaching Ken under the controlling glare of the crew. When Naomi's hopes seem lost Ken starts to take an interest in her. Timeless days magnify the weight of their last goodbye.
Producer
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
