Miguel Antunes Ramos

Movies

Panorama
Screenplay
Between the scars of the past and the uncertainties of the future, Jardim Panorama resists. A little over ten years ago, the favela was ripped in half by a monster. Today, the monster sleeps. Until when? A film about the dreams, memories and daily life of those who live in a community surrounded by the walls of an upscale neighborhood in São Paulo.
Fala, Cassandra
Director
In contemporary Brazil, a theater group tries to stage the story of Cassandra and Agamemnon. Cassandra, prophetess of Apollo, sees everything and speaks nothing. This is the story of what they saw and what they didn't see. A film about the power of seeing and the risk of being seen. About what we didn't see in the disaster that engulfs us all.
A Flecha e a Farda
Editor
Fifty years after it was recorded, the footage of the graduation of the first and only class of the Indigenous Rural Guard reappears. In 1970, eighty indigenous marched, in uniform, in the courtyard of a police station, to the leadership of the military dictatorship. Fifty years later, the film seeks out these guards - their bodies, their stories, their memories. Fractures, silences, what remains and what is lost in violent Brazilian history.
A Flecha e a Farda
Screenplay
Fifty years after it was recorded, the footage of the graduation of the first and only class of the Indigenous Rural Guard reappears. In 1970, eighty indigenous marched, in uniform, in the courtyard of a police station, to the leadership of the military dictatorship. Fifty years later, the film seeks out these guards - their bodies, their stories, their memories. Fractures, silences, what remains and what is lost in violent Brazilian history.
A Flecha e a Farda
Director
Fifty years after it was recorded, the footage of the graduation of the first and only class of the Indigenous Rural Guard reappears. In 1970, eighty indigenous marched, in uniform, in the courtyard of a police station, to the leadership of the military dictatorship. Fifty years later, the film seeks out these guards - their bodies, their stories, their memories. Fractures, silences, what remains and what is lost in violent Brazilian history.
Banco Imobiliário
Director
Brian walks through his childhood neighborhood, looking for new areas to explore. Romeo, from his windowed office, designs a new marketing strategy. Carla plans new investiments watching the city from above. A table game. A future image. A city project.
Comissão de Venda
Director
Real estate brokers explain their work and talk their feelings about it.
The Golden Era
Writer
"Yesterday, by the afternoon, I went to see if our theater was still there. And it was".
The Golden Era
Director
"Yesterday, by the afternoon, I went to see if our theater was still there. And it was".
E
Writer
The city and its parking lots.
E
Director
The city and its parking lots.
Salomão
Writer
Salomão
Director
one, two, three, volcano
Writer
Young engineer, Cristóvão meet Joana, a image technician. Together, they walk through their spaces, trying to share experiences and testing limits. But despair round, silent.
one, two, three, volcano
Director
Young engineer, Cristóvão meet Joana, a image technician. Together, they walk through their spaces, trying to share experiences and testing limits. But despair round, silent.
The Castle
Director
Heavily guarded, a luxurious castle lies on the bank of the Pinheiros River, in São Paulo.
Filhos de Macuinaíma
Director
Documentary about the life of three families living in the city of Boa Vista, north of Brazil. Some of them look for a more intense daily life going to parties, work and dealing with family trouble, others want to get back to the tribe. Personal crises and the search for their own identity are aspects that reveal great relevance.