José Ramón Soroiz

Amaia, who has just become a mother, decides to return to her parents' house along the Basque coast for guidance while her partner is temporarily away.

Aitziber’s father travels to the city daily in order to prevent his childhood home from demolition. This apparently senseless action will end up becoming a way to vindicate his own memory.

In a small Basque village in 1925, a wake is being held for Inge, the young wife of Mikel Martikorena, who has died suddenly.

Ane is in her mid-forties and delighted when a stunning bouquet of flowers is delivered to her home. But the site manager has no idea who to thank – one thing is for sure; her jealous husband, Ander, is not the unknown cavalier. As these gallantries increase, always on a Thursday and always with an anonymous sender, Ane’s life takes on a new direction. The life of Lourdes is also sent into turmoil by beautiful bouquets of flowers: Since the death of her husband in a traffic accident, flowers have been deposited regularly at the scene. Lourdes’ mother-in-law, Tere, is determined to get to the bottom of the anonymous flowers. Jon Garaño and José Mari Goenaga’s feature film debut pays charming homage to three headstrong women and the power of flowers.

Juan Martin, a young boy from San Sebastian, decides to spend the summer in a remote hillside farmhouse to improve his Basque. But there he discovers that the language they use has little in common with his classroom learnings.

In the course of an ox competition, a whole town loses a lot of money by betting on the favourite couple of oxen.

One day, Pedro Sansinenea left family, friends and country, an environment that drowned him. Twenty years later he returns to the Basque Country for several reasons, where he finds old hatreds, new conflicts and even a dramatic love story.

A film based on a theatre play made by Paco Sagarzazu. It was the first feature film made in Basque language. It criticized the authoritarianism of traditional teaching.