Erkki-Sven Tüür

One day Tord accidentally walks in to the apartment next to his own. Another person named Tord lives there, he has just moved in. Tord and Tord start to spend time with each other.

A man and a woman lead a complicated love life, filled with erotic tension and despotic passion. Their son is an involuntary witness to all this, cooped up despondently in his room banging his head against the wall. To get away from the situation, he escapes into a virtual world. But when the man finds himself inopportunely stuck out on the balcony of the apartment, a burglar gets into the building. At the same time, in a neighbouring apartment, spies are getting ready to listen in on a group of scientists.

A visual poem in a universe of realities. A woman in an abandoned city in Brazil returns to a world of memory and feeling in a place where trapped souls relive moments from the past.

A film about the influence of society on the life of an individual. We can follow the career of one life from childhood to maturity; from the pioneer scarves and Soviet Army to family responsibilities. We can see how a man, whose personality is eliminated and who is thrown from a well-organized world of rules and regulations into another system, is barely able to find himself in the new circumstances. (sourced from: https://www.nukufilm.ee/en/arhiiv/humachinoid/)

On Christmas Eve, the residents of Peace Street discover that there are military guards in front of their houses. Soon they have to start showing their passports when entering their homes. The residents are told by the authorities that in order to keep the peace they have to be ready to co-operate. It is an order and people stick to it. It is heard that the foreign troops will leave when the snow will be gone - so it won't be long until the everyday life will be normal again. When spring arrives, not only the snow disappears but also lots of residents. Those who stay will look forward to the Midsummer Day.

One of the most popular and talented writers in contemporary Estonia - Viivi Luik - has always hurt her heart for the fate of her country and people. As a poetess, she maintains miracles, simple and human, through her poetry. In the film Viivi Luik and Jaan Kaplinski make sense of the moments of time.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

The year of 1988 in Estonia was exceptional - it came as a surprise for everyone that all of a sudden national symbols were allowed; expressions of no confidence were addressed towards the leaders of Communist Party and Estonian government; the Popular Front of Estonia and Estonian Green Movement but also the Intermovement (the Workers International Movement of the Estonian Soviet Socialist Republic) were founded. Estonian Heritage Society restored the monuments of the War of independence; the facts about war crimes during the Stalinist regime were disclosed and - imagine that! - the representatives of Estonian Republic went against the central authorities in Moscow. Events in Estonia draw international attention. Is all this possible in a totalitarian state? This documentary chronicle gives a plausibe interpretation of the events that took place in Estonia in 1988, of the changes in people's lives and the awakening after a 48-year-long period of darkness.

The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

Roman Baskin's debut as a film director is an allegorical story of a man (Sulev Luik) who happens to step out of a train in a small town named Vernanda. He buys some bread only to discover that it has got a bomb inside and "souvenirs" of this kind are the town's trademark. While the man wants desperately to get rid of the bomb the townsfolk is not amused by such rude behaviour.

Viktor Kingissepp has been the underground head of the Communist Party of Estonia for three years. He corresponds with Moscow, writes speeches for the members of the Communist Workers' Party and makes leaflets for the events of trade union. His purpose is to overthrow the Republic of Estonia since he does not believe in Estonian independence nor in any national ideals. Yet the clock keeps ticking, tuberculosis spreads rapidly, the world revolution is being postponed. What to do in order to make one's efforts work?

Art historian Villem Raam (1910 - 1996) introduces three medieval architectural monuments in Estonia - Karja St. Catherine's Church, Muhu St. Catherine's Church and Pöide St. Mary's Church - in Muhu and Saaremaa islands. All three churches are genetically related. We can see the grand old man of Estonian art history in the situation most characteristic to him - communicating and working with old buildings.

Short animation with glass by Kalju Kivi

In post-World War II Estonia, Mait Kukemeri, an activist of the Young Communist League arrives to the Metsa collective farm in the back of a traveling cinema truck. As a commissary of the spring sowing, he has orders to usher all the people to the field, even if the water is high enough to soak your boots and the machines sink in the mud. Harald Tuvikene, the head of the farm, keeps dragging his feet, trying to pitch his peasant wisdom against the senseless demands of the central power. For the first time in his life, Kukemeri faces a real problem - does he do what's right or does he follow the party's inept commands in order to further his own career? He starts ignoring the party assignments and gets involved with the local village life and the local pioneer activist, a young woman named Liina. Nobody wants to sow before the time is right and Kukemeri gets tangled in the web of white lies to his bosses. But no one can keep anything secret from the Communist party for long.