Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century. Von Bode, under pressure from the German Kaiser Wilhelm II, argued that the wax sculpture was created by Italian artist Leonardo da Vinci (1452-1519).
Occupied France, 1942. Gilles is arrested by SS soldiers alongside other Jews and sent to a camp in Germany. He narrowly avoids sudden execution by swearing to the guards that he is not Jewish, but Persian. This lie temporarily saves him, but Gilles gets assigned a life-or-death mission: to teach Farsi to Head of Camp Koch, who dreams of opening a restaurant in Iran once the war is over. Through an ingenious trick, Gilles manages to survive by inventing words of "Farsi" every day and teaching them to Koch.
Robert lacks direction and seems alienated as a young adult. He meets a handsome man who, though he gives Robert perspective for a moment, alienates him even further.
In 1933 Nuremberg, successful Jewish businessman Leo Katzenberger owns an apartment building and runs a shoe store. A devoted family man, he has a good relationship with his loving wife Claire. As the climate in Germany grows increasingly dangerous, bombshell Irene moves to the neighborhood. After forming an unlikely friendship, his relationship with Irene is immediately regarded with suspicion.
In modern-day Berlin (1987), Frau Kutowski goes insane, believing herself to be the (real-life) notorious Anita Berber, a nude art dancer/drug addict/scandalous figure of post-WWI Berlin. (Berber died of tuberculosis in 1928, having achieved significant success and recognition throughout the dance world.) Frau Kutowski is placed in a mental hospital, where in her own mind she acts out Berber's final days, including in her fantasies the hospital's staff and patients, to represent Anita's friends and associates.
