Débora Falabella

Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.

Young, intense and authentic, Dani just wants a normal life. However, since she was a child, she has been misaligned with her world.

When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.

A man who lost his taste and his blind wife; an almost deaf girl and her consumerist stepmother; an adult movie actor in love and his completely passionate woman; a sign language teacher and his dilemmas with dumb students. Characters full of love and full of inabilities to cope with their emotional side.

Roberto is in the edge to become a father for the first time. He was already dreaming of the years yet to come, wondering how his son would be. While trying to figure out how to act like a father he must also face and endure a tough reality - to be a Down syndrome child's dad. Insecure and ashamed of the situation he will have to confront and overcome it.

Ciba (Rodrigo Santoro) is an independent investigator who works together with the police. A typical fallible hero who struggles with strong personal issues, while preventing crime and injustice. His partner, Deputy Ulisses (Luis Miranda), is a well-meaning professional who recognizes the difficulty in securing his function using only common artifacts, and Ciba's unofficial contact is of utmost importance for the progress of his investigations.

A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

After a car accident, a couple wait for the rescue and see their love story shake. In 1968, what remains is love and hope for a better future for them and for the country as well.

A group of friends find themselves circling in time. Welcome to room 38. Within it's confines time becomes scattered and loops back on it's self, memory becomes useless, and survival carries an entirely different meaning.

The bride, the groom, the best man and a destructive passion. A wet dream turned into a nightmare. "La Dolorosa" is the second episode from "The Trilogy of Dream", an attempt by screenwriter/director Odilon Rocha to bring lyricism back to cinema.

Luísa is a romantic, dreamy and delicate young woman married to Jorge, an engineer, a man of good habits and good economic conditions. They didn't know each other well, but got married and Luísa was a good wife, "she was clean and happy as a bird". Everything get changed when she meets a childhood love, her cousin Basílio. What seemed to be a great adventure will became a nightmare and Luísa will discover the price of her infidelity.

A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.

Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.

Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers, such as the woman who gets transformed into a gorilla. He gets involved with Linaura, a sexy and beautiful woman who happens to be the wife of the most frightening hitman of the place. The hitman finds out his wife's affair and goes after Leléu, who has to leave in a hurry. In another town, he meets and falls instantly in love with Lisbela, who is engaged to Douglas, a hillbilly who tries hard to pass for a cosmopolitan Rio de Janeiro dweller.

Paco and Tonho are illegal Brazilian immigrants in New York. Shy Tonho dreams of being successful, but misses his family and Brazil. Pursued by Immigration Service and later arrested, he is about to be deported. Paco, a rapper and performer, indifferent to all except her career, dreams of hitting the top ten chart. The film shows the relationship of the couple in love mid hope, difficulties, and misencounters in a beautiful and violent metropolis

A woman named Françoise meets a man who's waiting for his bus in a bus station.