Conxita Bardem

Mario Gas directed this music-themed Spanish drama set in Barcelona of the mid-'80s. When famed composer Lluis Doria (Laurent Terzieff) visits a transvestite club, he learns his lifelong friend Albert Rossell (Serge Reggiani) is the house pianist. A flashback takes the tale four decades into the past where the younger Rossell (Pere Ponce) rejoins Teresa (Paulina Galvez) after having spent years in prison for helping anti-Franco anarchists. The story continues into Paris of the '30s, the period when Doria and Rossell first met, sharing a mutual interest in music and Teresa, before civil war sent them in different directions.

Veronica, divorced with a son, begins to organize her life and adapt to the new situation. Her problems are relegated to a second term when Carlos, her masseur, is murdered. Knowing himself in danger, Carlos left a message on Veronica's answering machine: she had to pick up a package hidden in the toilets of a railway station. From that moment, Veronica will not know the calm.

Not published writer, a sculptor who does not expose, a filmmaker who does not make movies ... amateur and professional around anything. His daughter, which is to care, is the only one who understands. A film producer who bombarded daily with an overview, each more extravagant reproaches his fantasy and challenges to look carefully for 24 hours whichever comes around to check that everything that happens follows a rigorous logic .

Mallorca, 1865. Mr Bearns' funerals, "better to dye thant to mix blood". Juan Mayol, orphan unknow his past and decides to rebuild his family history

Four different Alices wander through mazes constructed from 40 years of Spanish history in this post-Franco meditation. Loosely related to the "Alice" of Alice in Wonderland, in one episode of this film, Alice (who is clearly a metaphor for the Spanish people) is raped by some multinational corporations. Told in a somewhat confusing manner, especially for those unfamiliar with the nuances of Spain's history in the period between 1936 and 1975, this is director Jorge Feliu's first feature film.

Ana is Catalan, daughter of a bourgeois family and works in a studio in advertising. She is 38 years old and has only lived with her husband, with whom she has a relationship cold but accepted by both. Although his family is opposed, decides to leave her husband and takes a vacation with her daughter Barbara, of 12 years, in order to leave behind all the past and start a freer life, with fewer ties, less conventional.

On a stopover in Barcelona, Fériaud Roland discovers a corpse in the hotel room next door. He wakes up in a strange clinic without remembering who brought him there. The doctor insists he hallucinated, but it's not long before he obtains evidence that it wasn't a dream.

A young middle class Catalan reflects on the monotony of his life alongside a loose young female with whom he maintains a sexual relation and that will end up telling him the story of her cousin Montse: a social worker who falls for a criminal, therefore causing a great scandal in her family.

A group of adolescents from the same school, although of different social classes, intervene between them. Oscar falls in love with Sandra until Diego seduces her and makes her pregnant...

A small-time delinquent young man and a book saleswoman at home delivery, who occasionally engage in prostitution as a derivative of her work, try a way of coexistence on the basis of mutual freedom schemes.

Set near Barcelona at the time of the outbreak of the Spanish Civil War in 1936, this epic drama explores the adventures suffered by an uncommitted vacationing family caught unawares by the conflict. In focusing on the war's effects on the family, this film was able to offer much more devastating commentary than would normally have been permitted in the late Franco era.

Silvia travels to the big city where she meets a married man, with whom she ends up having a romantic relationship.