Production Design
The Tales of Beatrix Potter is a 1992 ballet adapted for stage by Anthony Dowell from the 1971 film The Tales of Beatrix Potter that was choreographed by Frederick Ashton that in turn was based on the children's books by Beatrix Potter.
Director
A film adaptation of Shakespeare's comedy using the complete text of the play but performed by child actors.
Screenplay
This 37-minute 3-D Imax film adaptation from E.T.A. Hoffman's story is a straight narrative fantasy rather than a ballet. Little Clara receives a Christmas gift of a nutcracker doll and that night witnesses toys expanding in size and coming to life. The Nutcracker Prince takes Clara to his enchanted sugar castle where she meets pastry chef Sugar Plum who uses spun sugar to concoct the dancing Sugar Fairy.
Director
This 37-minute 3-D Imax film adaptation from E.T.A. Hoffman's story is a straight narrative fantasy rather than a ballet. Little Clara receives a Christmas gift of a nutcracker doll and that night witnesses toys expanding in size and coming to life. The Nutcracker Prince takes Clara to his enchanted sugar castle where she meets pastry chef Sugar Plum who uses spun sugar to concoct the dancing Sugar Fairy.
Director
Hiding out in an industrial wasteland from the murderous wrath of a regional ruler, a woman, disguised as a boy, gives wooing lessons to the edgy lad who proclaims he loves her.
Art Direction
A costume drama / satire about financial skull-duggery, and confidence tricksters in both the upper and lower classes in Victorian London. A working class man impersonates a lord who is supposedly very rich and a financial wizard. As such he is invited to all the best peoples' parties.
Writer
A costume drama / satire about financial skull-duggery, and confidence tricksters in both the upper and lower classes in Victorian London. A working class man impersonates a lord who is supposedly very rich and a financial wizard. As such he is invited to all the best peoples' parties.
Director
A costume drama / satire about financial skull-duggery, and confidence tricksters in both the upper and lower classes in Victorian London. A working class man impersonates a lord who is supposedly very rich and a financial wizard. As such he is invited to all the best peoples' parties.
Director
A drama based on the novel by Charles Dickens which tells the story of Arthur Clennam who is thrown into a debtor's prison. There he meets a young seamstress whose father has been imprisoned for twenty-five years. A film in originally released in two parts.
Adaptation
A drama based on the novel by Charles Dickens which tells the story of Arthur Clennam who is thrown into a debtor's prison. There he meets a young seamstress whose father has been imprisoned for twenty-five years. A film in originally released in two parts.
Director
Beginning in 1864 England, and moving through a number of years, a maid helps raise two children, a boy and a girl, all the time talking about her methods in doing so.
Writer
Beginning in 1864 England, and moving through a number of years, a maid helps raise two children, a boy and a girl, all the time talking about her methods in doing so.
Set Designer
The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.
Costume Design
The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.
Production Design
The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.
Writer
The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.
Set Dressing Artist
Romeo Montague and Juliet Capulet fall in love against the wishes of their feuding families. Driven by their passion, the young lovers defy their destiny and elope, only to suffer the ultimate tragedy.
