Lyudmila Semyonova

Lyudmila Semyonova

Birth : 1899-02-17, St. Petersburg - Russia

Death : 1990-05-25

Profile

Lyudmila Semyonova

Movies

The Steamroller and the Violin
teacher
Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally meets and befriends worker Sergei, who works on a steamroller in their upscale Moscow neighborhood.
Посеяли девушки лен
Larisa Ivanovna
Юбилей
My Motherland
Lyudmila
Fragment of an Empire
Filimonov's wife
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.
The New Babylon
Can-can dancer
In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.
My Son
A man discovers that he's not the father of his wife's baby.
The Club of the Big Deed
Dama v igornom dome
The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.
Bed and Sofa
Liuda, the wife
A married couple have a small apartment in Moscow. When an old friend of the husband's arrives in the city, he is unable to find lodgings. Kolia, the husband, invites his friend to move in with them.
The Devil's Wheel
Valya
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.