Maximilian Erlenwein

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

Erik has is own motorbike workshop in a sleepy little town. He may have the telling word ‘scoundrel’ tattooed onto his lower arm but he nonetheless creates an impression of a well-behaved average Joe. His relationship with his girlfriend Julia is going well and her daughter Linda is very fond of her new Dad. But then all of a sudden the mysterious Henry appears and begins following him about like a sinister shadow. The more Erik tries to shake off his diabolical guest the more Henry intrudes into his life. But then when a violent gangster named Keitel enters the fray and threatens not only Erik but Julia and Linda, Erik’s seemingly ideal world begins to run off the rails.

Erik has is own motorbike workshop in a sleepy little town. He may have the telling word ‘scoundrel’ tattooed onto his lower arm but he nonetheless creates an impression of a well-behaved average Joe. His relationship with his girlfriend Julia is going well and her daughter Linda is very fond of her new Dad. But then all of a sudden the mysterious Henry appears and begins following him about like a sinister shadow. The more Erik tries to shake off his diabolical guest the more Henry intrudes into his life. But then when a violent gangster named Keitel enters the fray and threatens not only Erik but Julia and Linda, Erik’s seemingly ideal world begins to run off the rails.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

The story of a seemingly settled bank employee who breaks the shackles of his everyday life and becomes a wanderer between worlds. Frederik is an up-and-coming young bank employee who lives an ordinary life. When a bank customer, whom Frederik has denied a loan in the face of the bank crisis, shoots himself in front of Frederik, he snaps. Together with ex-con Vince,he begins to live out a new, dark side of himself. He robs his rich bank customers' homes and gives the money to the needy. The initial rush of crossing social boundaries soon develops into an addiction to ever greater thrills.

The story of a seemingly settled bank employee who breaks the shackles of his everyday life and becomes a wanderer between worlds. Frederik is an up-and-coming young bank employee who lives an ordinary life. When a bank customer, whom Frederik has denied a loan in the face of the bank crisis, shoots himself in front of Frederik, he snaps. Together with ex-con Vince,he begins to live out a new, dark side of himself. He robs his rich bank customers' homes and gives the money to the needy. The initial rush of crossing social boundaries soon develops into an addiction to ever greater thrills.