Kathryn J. Schubert

A weekend getaway for a few girlfriends at a snowy hotel becomes a psychological tailspin and bloody nightmare.

After spending time in prison following an assault charge, Connor Bates now works in a library and spends his free time running, swimming, and trying to piece his world back together. When he meets Marilyn Chambers, the wife of a wealthy businessman, they collide into an intense physical and emotional relationship that quickly escalates into idle talk about her husband’s murder.

The story of the Promethean struggles of Nikola Tesla, as he attempts to transcend entrenched technology—including his own previous work—by pioneering a system of wireless energy that would change the world.

A star athlete and top student, Luce's idealized image is challenged by one of his teachers when his unsettling views on political violence come to light, putting a strain on family bonds while igniting intense debates on race and identity.

A young woman who has faded to the point of becoming invisible must find her way back with the help of the one man who can see her.

An American sniper and his spotter engage in a deadly cat-and-mouse game with an Iraqi sniper.

A service which creates holographic projections of late family members allows an elderly woman to spend time with a younger version of her deceased husband.

When troubled teen Milo, who has a fascination with vampire lore, meets the equally alienated Sophie, the two form a bond that begins to blur Milo's fantasy into reality.

Yale University, 1961. Stanley Milgram designs a psychology experiment that still resonates to this day, in which people think they’re delivering painful electric shocks to an affable stranger strapped into a chair in another room. Despite his pleads for mercy, the majority of subjects don’t stop the experiment, administering what they think is a near-fatal electric shock, simply because they’ve been told to do so. With Nazi Adolf Eichmann’s trial airing in living rooms across America, Milgram strikes a nerve in popular culture and the scientific community with his exploration into people’s tendency to comply with authority. Celebrated in some circles, he is also accused of being a deceptive, manipulative monster, but his wife Sasha stands by him through it all.

A punk rock band becomes trapped in a secluded venue after finding a scene of violence. For what they saw, the band themselves become targets of violence from a gang of white power skinheads, who want to eliminate all evidence of the crime.

Gerry is a talented but down-on-his-luck gambler whose fortunes begin to change when he meets Curtis, a younger, highly charismatic poker player. The two strike up an immediate friendship and Gerry quickly persuades his new friend to accompany him on a road trip to a legendary high stakes poker game in New Orleans. As they make their way down the Mississippi River, Gerry and Curtis manage to find themselves in just about every bar, racetrack, casino, and pool hall they can find, experiencing both incredible highs and dispiriting lows, but ultimately forging a deep and genuine bond that will stay with them long after their adventure is over.

In 1975, Chicago filmmakers Flaxman and Goldman got carte blanche to film the shooting of a local film called THE LAST AFFAIR. Neither AFFAIR's director (who envisioned the film as "a combination of Fellini and Bergman") nor its cast (which included then-unknowns Betty Thomas and Ron Dean) had ever worked in the industry before. Made in the classic cinema-verité style of Drew and Leacock, A LABOR OF LOVE is a revealing and often hilarious exposé of the hidden side of adult film: onscreen partners despise each other offscreen, male performers can't "get wood," an actress has her period, Ivory Liquid is substituted for semen, and the director declares, "I really dislike every minute of this!" (Gene Siskel Film Center)