Jaroslav Zrotal

The story is about Harold, an isolated figure in an overwhelming world of totalitarian bureaucracy. Harold tries to find the elusive Joseph Kilian, an old acquaintance, in Prague. When Harold stumbles across a state-run cat-lending store, he impulsively rents a feline for the day. Later, he attempts to return the cat and finds that the store no longer exists. Now with a furry companion, Harold continues his search for Kilian. Written and directed by Pavel Juracek, this 40 minute film effectively aims its allegorical shots at personality cults and the absurdities of a totalitarian regime.

“And what did you do at school today?” In Pavel Hobl’s Czech fairytale, when Pepik and Honzik learn that school has been canceled they embark on an amazing odyssey around Prague that has them directing traffic, following the lead of a talking dog, breaking the spell an evil sorcerer has placed on a group of local musicians, rollerskating through a museum, and winning a magical car race. (University of Chicago Doc Films)

Writers: Jaroslav Zrotal

Writers: Jaroslav Zrotal

The movie describes proletarian life in the Czech Lands after World War I.

Based on a true story

Czech drama film.

Cooperative members are harvesting crops, trying to get new water piping installed and preparing to plough away the field boundaries in autumn. Local kulak Voznica (Vladimír Repa) doesn't like any of this so he forces sexton Kodýtek (Vlasta Burian) to help him sabotage their efforts.

Cooperative members are harvesting crops, trying to get new water piping installed and preparing to plough away the field boundaries in autumn. Local kulak Voznica (Vladimír Repa) doesn't like any of this so he forces sexton Kodýtek (Vlasta Burian) to help him sabotage their efforts.

Year of the Revolution 1848

A fiction piece centered around the Czech resistance to the Nazis.

Based on the novel by Karel Capek, the prominent Czech writer of the early 20th century who coined the word robot for his play R.U.R., the story revolves around a discovery of Krakatit - a powerful explosive - by Prokop, an experimental scientist who, following an accidental explosion in his lab, slips in and out of delirium. When he realises that, in a delirious period, he has given the formula for making Krakatit to one of his colleagues, he tries to find the man, who does not realize how dangerous a thing Krakatit is. In the process, he nearly gives his discovery away again to foreign interests, a group of anarchists, and even greater forces of darkness...

Five crime stories connected by the narration of police superintendent Bartosek.

Master armourer Tomás has young wife Alena, of whom he is very jealous. One day the ruler of town sees Alena and decides to win her over for himself. To get a free hand for his love affairs, he sends Master Tomás to acquire more skills in Flanders. Jealous husband does not know how to secure fidelity of his beautiful wife while he is away, and finally accepts aid of the devil, to whom he signs his soul as a reward. Devil in the disguise of Master Ondrej works in Tomás's workshop and protects Alena against various courtiers and the ruler of town. But finally he falls in love with Alena himself and becomes her lover.

In late 19th century Czech-speaking Bohemia, oppressed workers at German-owned mines and foundries revolt against their harsh working conditions. Made shortly after World War II as Czechoslovakia was falling to communism, the film resonates in Czech resentment of the German occupation.

After an attack against the guard of the Third Reich, Nazi repression intensifies, and the Czechoslovakian resistance's organized sabotage in an aircraft factory leads to Gestapo shootings.

Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.