Vicente Moreno

Giovana and Yago are strangers who share a spark after meeting at a party. When a deadly cloud mysteriously takes over their city, they are forced to seek shelter with only each other for company. As months pass and the planet settles into an extended quarantine, their world shrinks, and they are forced to come to terms with an accelerated timeline for their relationship. With all their other interactions governed by screens, and with the strain of isolation setting in, Giovana and Yago struggle to reinvent themselves and reconcile the differences that threaten to tear them apart.

A portrait of five people who were important to the filmmaker when he was a child. Apart from a few childhood photos, he himself remains out of the picture. He visits a teacher who used to take care of him, and a gay childhood friend. Their combined stories—about exclusion and terror, but also love—paint a portrait of a small, somewhat oppressive community and a boy who lost his sense of security within it, despite the help he was offered. In his wistful look at the past, Barreto transcends his personal experiences; anyone can identify with his bittersweet journey.

A portrait of five people who were important to the filmmaker when he was a child. Apart from a few childhood photos, he himself remains out of the picture. He visits a teacher who used to take care of him, and a gay childhood friend. Their combined stories—about exclusion and terror, but also love—paint a portrait of a small, somewhat oppressive community and a boy who lost his sense of security within it, despite the help he was offered. In his wistful look at the past, Barreto transcends his personal experiences; anyone can identify with his bittersweet journey.

Ernesto, a seventy-eight-year-old Uruguayan photographer living in Brazil, faces the limitations of old age. One day, Bia storms into his life. And Ernesto realizes that aging can be about rejuvenating with the company of a girl.

Amanda, an introverted 12 year-old swimming athlete, finds safety in her own world: underneath the water. Lacking attention from her parents, she spends most of the time at the swimming pool, training and trying to succeed in maybe the only thing she truly loves. Priscila, an amazing swimmer, becomes her opponent, not only in the pool also in life. A subtle power game begins.

40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.

A family boat stalls during a rafting trip. Pietra, the youngest daughter, is forced to lose some of her naivety.

Camel on the Tarmac is made of two movements: the walking and the feeling. Walking under the sky of platinum winter; and on the asphalt. Feeling under the silence of the journey; relive the emotional memories. Peter walks and feel; walks and crosses the border between sister countries, Brazil and Uruguay. Follows in search of man who, like him, live recluse addition in their own digressions: his father.

Camel on the Tarmac is made of two movements: the walking and the feeling. Walking under the sky of platinum winter; and on the asphalt. Feeling under the silence of the journey; relive the emotional memories. Peter walks and feel; walks and crosses the border between sister countries, Brazil and Uruguay. Follows in search of man who, like him, live recluse addition in their own digressions: his father.

Absoluto - Internacional Bicampeão da América is a feature-length documentary that tells the electrifying trajectory of the Celeiro de Ases at the Libertadores 2010, telling the exploits of America's true liberators: General Bolívar and his red army. Official Internacional film, features the best and most distressing moments of the matches in the tournament, unpublished images from behind the scenes and the testimonies of those who made this story, on the field and in the stands.

What is the future of cinema? In 1982, in Cannes, Wim Wenders invited many movie makers to answer this question. 26 years later, the question remains, but Wenders is now on the other side of the camera.