Andrea Capella

Movies

Corto
A brief tribute to Marc Ferrer's films, made during the shooting of his film "Cut!".
The Cotton Wool War
Director of Photography
Dora is a German-raised teenager visiting her enigmatic Brazilian grandmother for the first time. While trying to return to Germany at all costs, she discovers the incredible history behind the women of her family.
The Last Romantics
Director of Photography
Two young men share different points of view of the same sexual encounter in a public space.
Body Electric
Director of Photography
Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.
Verona
Cinematography
Ten years after the end of the dance music duo Verona, Elias come back to Brazil to meet his former partner, Walter, who is going to marry the young and talented Filipe. Walter lives in a countryside house, where he celebrates the end of his youth and the beginning of a new moment in his life.
Neverquiet – Film of Wonders
Director
An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.
The Joy
Director of Photography
Joy is a fable about courage and youth. It tells the story of Luiza, 16 year old girl, who can not stand to hear about the end of the world… On a Christmas night, his cousin John is mysteriously shot in a street in the Lowlands and disappears into the night. Weeks later, while Luiza spends days alone in the apartment where he lives with his mother in Rio de Janeiro, a mysterious visitor comes knocking on your door: John, as a ghost, asking to hide there.
Bliss
Director of Photography
Rodrigo and Suzana have started a relationship recently. He's seventy-two, she's sixty, and they are completely in love with each other. Together, they spend days in bed, talking, eating, laughing and making love.
The Scape of the Monkey Woman
Cinematography
Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.
OK
Cinematography
Two twenty-something boys in a public restroom. They sniff coke, talk about sex, get dirty. But the film takes on another tone as they reveal what it is that they really want.
His Name (The Clown)
Director of Photography
They met in the summer, in the rain. A film of carnival and silence. His Name (The Clown) is a surface film – based on newspaper news and daily life in large Brazilian cities, but without any direct link to any real event. Violence, joy and silence are worked on in the film in order to build a space where characters are as real as they are intangible – in a narrative of short marked sequences, in which a whirlwind of events mixes with a stitching of fragments and gaps: He is a quiet man and divides his time between his violent work in downtown Rio de Janeiro and his boarding house in Catumbi. She is the girl who appears in his life, on a rainy afternoon – and soon things start to go by very quickly. A film of carnival and silence, of love and anger – of apathy and will. A chronicle of the conflicts and festivities of a city sewn between hills, forests and cement. A tribute to Rio, perhaps?