Feargal Ward

This is a beautiful and poetic cinematic ode to our moon. Made primarily from international cinematic archives in combination with literary fragments and original moonlit cinematography filmed across five continents, To the Moon steps lightly through the ages and ideas that people have drawn from the moon to create a meditative work.

In 1946, a young forester was dispatched to the north of Finland to find trees large enough to serve as electricity poles in Ireland. The only surviving record of his hazardous mission are a few telegrams he sent to the home front. Directors Feargal Ward and Adrian Duncan literally follow in his footsteps in this tough trek through the subarctic wilderness, captured in dreamlike, hallucinatory scenes. The fantastic soundscape with high-pitched, sparse tones only intensifies the sense of desolation and mystery.

The story of Irish farmer Thomas Reid who, for years, has been locked in a grueling battle with his neighbor - U.S. microchip manufacturer Intel who want to expand into Reid’s land.

Naofumi Yximalloo Ishimaru is an obscure cult musician who has spent most of his 57 years on the fringes of music and society. Perennially uncertain of what he wants, Naofumi is constantly moving - drawing people to him before pushing them away and setting out alone once more.

'Living in a Coded Land' is a poetic and imaginative film essay that makes unexpected links between events and locations, history and contemporary life. The film revolves around the notion of a sense of place and stories associated with place, reflecting on the subterranean traces of the past in the present and probing themes such as the impact of colonialism, emigration, the famine, land, housing and the place of art in society. Making extensive use of archive from RTÉ and the IFI, the film seeks to explore the more elusive layers of meaning that make up this country.

What We Leave in Our Wake is a filmic essay which unfolds as a series of conversations on Ireland, exploring themes such as emigration, mythology, consumerism, socialism, the place of the church in Irish life, the central role of land in Irish history and the sense of a civic society. Combining images of contemporary Ireland with an evocative blend of archive, What We Leave in Our Wake questions what persists rather than the temporary fluctuations and trends, and talks to some of those uniquely placed to comment on how this country has evolved.

Floating Structures follows a researcher travelling across central and southern Europe seeking out an array of buildings and structures that seem as though they have emerged from another world. Our mysterious guide, drawing on the ideas and visions of the great Irish engineer Peter Rice, explores the hinterlands that surround and gave rise to these structures. It is a rail trip of revelation that wanders from the quiet Bavarian town of Haßfurt, to the inner and outer realms of Paris, to the Andalusian city of Seville. Suspended artefacts and ruins from the distant future and the industrial past are sifted through and interlinked with precision and wonder.