Robert Fletcher

Frank Farrelli takes on the job as a middle man in the God-forsaken town of Karmack, USA, a community in a depression so deep that they need a middle man to professionally communicate more of the bad news.

Veronica wants to remain in jail for a sexual assault she knows she's been wrongfully indicted for. She and her father, Jim, find themselves acting out of the bounds of good behavior as the past haunts them.

A dramatization of one man's rescue of Jewish refugees in the Nazi-occupied Polish city of Lvov. In Darkness tells the true story of Leopold Soha who risks his own life to save a dozen people from certain death. Initially only interested in his own good, the thief and burglar hides Jewish refugees for 14 months in the sewers of the Nazi-occupied town of Lvov (formerly Poland).

What do Frida Kahlo and a “chilanga” living in Vancouver have in common? Nothing really, except that both were born in Mexico City. But for Honoria Delgado, Frida Kahlo represents everything that keeps her from finding happiness.

Jared Martin moves next door to the Hansetts, along with his hot motorcycle and eerie, ill-tempered dog. Although everyone else in the neighborhood takes an instant liking to him, Loren Hansett can't get over the bad vibes her new neighbor gives her. She starts to spy on his nocturnal activities and comes to believe that a recent killing might the work of a werewolf who happens to be her new neighbor. Her internet surfing provides a lot of collaborative detail but everyone but her friend Steven dismiss her story as teen-aged fantasy. Fearing for her life, she convinces Steven to take her to a gun shop to buy silver bullets in a gun shop, where their neighbor's supernatural dog attacks. When she dispatches the beast, her actions get the attention of Redd Tucker, a washed-up TV hunting show host to believe her as well. When Steven is attacked by the werewolf and Loren's brother goes missing, she and Redd team up to kill the lycanthrope before he can finish them both off.

The world is full of zombies and the survivors have barricaded themselves inside a walled city to keep out the living dead. As the wealthy hide out in skyscrapers and chaos rules the streets, the rest of the survivors must find a way to stop the evolving zombies from breaking into the city.

Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived.

A cop on the track of a criminal finds himself in the midst of an unfinished subway tunnel, when his flashlight reveals a startling discovery: a three meter long scorpion-like Bug. With one slice of its massive tail the bug fells the man and devours him. FBI agent Matt Pollack is brought in to investigate, and when forensics reveal the source of the problem, he turns to his friend and entomologist Emily Foster for help.

Mixing conventional and new digital technologies, Judith Doyle also weaves a dialectic between reality and fiction linked by he casual introspection of the film's narrator, a video artist named Rebecca. Over black and white archival footage from a fifties tourism film about Wasaga Beach, Rebecca says "I videotape photographs and places that are gone."