Hans Namuth

Birth : 1915-03-17,

Death : 1990-10-13

History

Hans Namuth (March 17, 1915 – October 13, 1990) was a German-born photographer. Namuth specialized in portraiture, photographing many artists, including abstract expressionist Jackson Pollock. His photos of Pollock at work in his studio increased Pollock's fame and recognition and led to a greater understanding of his work and techniques. Namuth used his outgoing personality and persistence to photograph many important artistic figures at work in their studios. Namuth photographed many other painters such as Willem de Kooning, Robert Rauschenberg, and Mark Rothko and architects such as Frank Lloyd Wright, Philip Johnson, and Louis Kahn. Namuth focused on his rapport with his subjects, getting many reclusive figures such as Clyfford Still to agree to be photographed. Namuth's work not only captured his subjects in their studios with their works, but also captured the relationship between photographer and subject as well as the subjects' levels of self-consciousness. Besides famous art figures, Namuth photographed the Mam people of Todos Santos, whose native lifestyles were being overrun by Western influences. Namuth died in a Long Island car crash in 1990.

Movies

Jasper Johns: Take an Object
A portrait of the artist at work. The film begins in 1972 with Johns repainting Air Ocean World based on Buckminster Fuller's dymaxion map. Johns work is traced over the next eighteen years. His Untitled, 1973, with its cross-hatching, flagstones, and anatomical parts become recurrent motifs, as Johns begins to imbed skulls and severed arms in them. The paintings become more personal as Johns gradually "drops the reserve" in his recent series, "The Seasons." The film culminates with Johns working on the final state of the etching based on "The Seasons."
Niki de Saint Phalle
Still Photographer
François de Menil and Monique Alexandre's short portrait of artist Niki de Saint Phalle, shot in 16mm, 1982.
Jackson Pollock 51
Cinematography
The photography of German photographer Hans Namuth is largely credited for Pollock’s rise to fame, and as the painter gained a higher profile, along with Abstract Expressionism in general, Namuth returned to capture Pollock’s “action painting” on video for the short documentary below. In a cinematically brilliant move, Namuth asked Pollock to create a painting on glass, so that he could film underneath, giving the viewer the experience of actually being the canvas. Lacking a lighting crew, they shot in the cold Long Island expanse of grassland outside of Pollock’s home.
Jackson Pollock 51
Producer
The photography of German photographer Hans Namuth is largely credited for Pollock’s rise to fame, and as the painter gained a higher profile, along with Abstract Expressionism in general, Namuth returned to capture Pollock’s “action painting” on video for the short documentary below. In a cinematically brilliant move, Namuth asked Pollock to create a painting on glass, so that he could film underneath, giving the viewer the experience of actually being the canvas. Lacking a lighting crew, they shot in the cold Long Island expanse of grassland outside of Pollock’s home.
Jackson Pollock 51
Director
The photography of German photographer Hans Namuth is largely credited for Pollock’s rise to fame, and as the painter gained a higher profile, along with Abstract Expressionism in general, Namuth returned to capture Pollock’s “action painting” on video for the short documentary below. In a cinematically brilliant move, Namuth asked Pollock to create a painting on glass, so that he could film underneath, giving the viewer the experience of actually being the canvas. Lacking a lighting crew, they shot in the cold Long Island expanse of grassland outside of Pollock’s home.