Two bank employees like Lucie, their colleague. They steal money from the cash register to gamble. Jean wins and Paul ends up in prison for five years. When he leaves, he discovers that Jean has become a businessman and that he has married Lucie.
Koenigsmark is a 1935 British-French drama film directed by Maurice Tourneur and starring Elissa Landi, John Lodge and Pierre Fresnay. The film is based on the novel Koenigsmark by Pierre Benoît. It's sets were designed by the art director Lucien Aguettand. The film was known in the United States as Crimson Dynasty.
In 1912, a Russian officer is wrongly accused of having stolen important papers. His only alibi being to have spent the night with the wife of a colonel, he allows himself to be condemned so as not to compromise the latter. He manages to escape and hides in the guise of a poor boatman. One day, the truth comes out, the colonel commits suicide and the lovers are finally reunited.
Goglu
Under the regime of Louis XVIII. Years after Waterloo, Napoleon's loyal officers live in retirement on half-pay. Useless and idle, they have lost their prestige and keep meeting in the hope of the Emperor’s return. When Napoleon dies, they decide to plot the rise to power of Napoleon II.
A very rich businessman, knight of the Legion of Honor, bets that he can start his career from scratch. After all kinds of adventures, he climbs the ladder of society and, having become rich again, finds love and a new fortune.
Life is so dull in a quiet little neighborhood that gossips, eager for some kind of scandal to brighten things up, imagine their haberdasher has been having quite a raunchy sex life.
The life of disorderly soldiers in the barracks dealing with daily routines.
Mr. Molleton
A man is engaged to be married.But after getting a phone call from a wronged woman who wants revenge on her husband, he lands up consoling her in bed, and then consoling the mistress of the husband as well.
A military wife remarries after she thinks her Russian husband has died in battle, and when he returns alive he enlists in the Foreign Legion rather than disrupt her new happiness.
In this classic French satire, Louis, a convict, escapes from prison and takes on legitimate work, making his way up in the business world. Eventually becoming the head of a successful factory, Louis opts to modernize his company with mechanical innovations. But when his friend Émile finally leaves jail years later and reunites with Louis, the past catches up with them. The two, worried about being apprehended by police, long to flee the confines of industry.
In order not to compromise the great music hall star with whom he spent the night, a man is accused of a murder he did not commit.
When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who looks like him, the staff and spectators at that night's show think the actor is giving an unusually good performance.
L'inspecteur (uncredited)
In the tenement slums of Paris between the world wars, impoverished street singer Albert yearns for beautiful Romanian immigrant Pola. Pola's boyfriend, local hoodlum Fred, grows jealous of Albert's constant attention to his woman and frames the hapless musician for one of his own petty crimes. But while Albert is in prison for Fred's misdeed, Pola ends up falling for Albert's faithful best friend, Louis.
Herode
A nobleman decides to join a traveling group of actors to be with a girl he admires, but ultimately must rescue her from bandits
General Jean François Carteaux
A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797. Originally intended to be the first of six films, director Abel Gance realized the full project would be nigh impossible, and never raised the money to complete the other five. The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
