Basil Comely

Islamic State has declared war on the most important and romantic ancient architectural sites in the world. Jihadi fighters seek the total destruction of the wonders of the ancient world that gave us writing, the wheel and the first cities. Dan Cruickshank charts the likely course of Islamic State's destructive advance and asks how this can be happening and what we can do to stop them.

As good as any Dickens novel, this is the triumphant and tragic story of the greatest architectural dynasty of the 19th century. Dan Cruickshank charts the rise of Sir George Gilbert Scott to the very heights of success, the fall of his son George Junior and the rise again of his grandson Giles. It is a story of architects bent on a mission to rebuild Britain. From the Romantic heights of the Midland Hotel at St Pancras station to the modern image of Bankside power station (now Tate Modern), this is the story of a family that shaped the Victorian age and left a giant legacy.

Ludwig II of Bavaria, more commonly known by his nicknames the Swan King or the Dream King, is a legendary figure - the handsome boy-king, loved by his people, betrayed by his cabinet and found dead in tragic and mysterious circumstances. He spent his life in pursuit of the ideal of beauty, an ideal that found expression in three of the most extraordinary, ornate architectural schemes imaginable - the castle of Neuschwanstein and the palaces of Linderhof and Herrenchiemsee. Today, these three buildings are among Germany's biggest tourist attractions. Dan Cruickshank explores the rich aesthetic of Ludwig II - from the mock-medievalism of Neuschwanstein, the iconic fairytale castle that became the inspiration for the one in Walt Disney's Sleeping Beauty, to the rich Baroque splendour of Herrenchiemsee, Ludwig's answer to Versailles. Dan argues that Ludwig's castles are more than flamboyant kitsch and are, in fact, the key to unravelling the eternal enigma of Ludwig II.

Armando Iannucci presents a personal argument in praise of the genius of Charles Dickens. Through the prism of the author's most autobiographical novel, David Copperfield, Armando looks beyond Dickens - the national institution - and instead explores the qualities of Dickens's work that still make him one of the best British writers. While Dickens is often celebrated for his powerful depictions of Victorian England and his role as a social reformer, this programme foregrounds the elements of his writing which make him worth reading, as much for what he tells us about ourselves in the twenty-first century as our ancestors in the nineteenth. Armando argues that Dickens's remarkable use of language and his extraordinary gift for creating characters make him a startlingly experimental and psychologically penetrating writer who demands not just to be adapted for television but to be read and read again.

Fiona Bruce traces the story of one of history's great royal love affairs: the love between Queen Victoria and Prince Albert. It was a love based on a powerful physical attraction, and it grew into a marriage that set the tone for the Victorian age. Over the 20 years they spent together, until Albert's tragic death, they gave each other a dazzling collection of paintings, sculptures and jewellery. That collection was on show - much of it for the first time - at a major exhibition in London, and it reveals a new and passionate side of the royal couple.