Helen Takkin

Movies

Life & Love
Screenplay
In the summer of 1933, looking for better opportunities, Irma comes from the countryside to the city to her relative Lonni. Irma is excited about the change of environment, while Lonni is disappointed with city life and sees Irma's arrival as a new freshness for herself. Rudolf, a middle-aged printer, hires young Irma as a maid in his luxurious apartment. The man's charm and mystery fascinate the girl, and pretty soon feelings ignite. They get married, but then inconsistencies in Rudolf's behavior begin to appear, which puts Irma, who dreamed of true love, in an extremely difficult situation.
Life & Love
Director
In the summer of 1933, looking for better opportunities, Irma comes from the countryside to the city to her relative Lonni. Irma is excited about the change of environment, while Lonni is disappointed with city life and sees Irma's arrival as a new freshness for herself. Rudolf, a middle-aged printer, hires young Irma as a maid in his luxurious apartment. The man's charm and mystery fascinate the girl, and pretty soon feelings ignite. They get married, but then inconsistencies in Rudolf's behavior begin to appear, which puts Irma, who dreamed of true love, in an extremely difficult situation.
How We Wake Up
Writer
Maria enters into a relationship with a nice and caring man, but soon begins to doubt her common sense.
How We Wake Up
Director
Maria enters into a relationship with a nice and caring man, but soon begins to doubt her common sense.
Dawn of War
Second Unit Director
A historical spy-thriller set in 1939 about an Estonian intelligence agent tasked with uncovering the Soviet double agent in their ranks.
Descent
Director
When Triin closes her car door, in a moment of solitude, her depression comes crashing in, threatening to drown her.
Bad Hair Friday
Editor
At an ever-accelerating pace, this thriller / dark comedy tells the story of 8 very different groups whose paths cross in the space of 24 hours. We meet a wide range of characters - from spoiled rich brats to real bottom-feeding criminal scum, and everyone in-between. In the best traditions of Commedia dellÂ’arte, the characters each have easily recognizable roles