Victor de Melo

Dayane suddenly leaves. Her mother Marluce, her sister Mariana and her fiancé Antônio stay. Between the incessant search, silent resignation and silent denial, this touching family drama from Ceará is located.

João, mounted on his horse Cruzeiro, and in the company of a wanderer named Tahiel, enters a large city in northeastern Brazil to face the one who took his lands and ended up with his family.

A documentary filmmaker sleeps with his camera to film the dreams he has at night.

A terrified young woman is staring at a disturbing monstrosity, a kind of Pagan spirit that has sprung out of a river. Such is the opening scene of Pajeú, named after the creature, a fantastic character which follows the meanderings of the river and drives the story. Eager to get rid of a nightmare that is infecting her life, Maristela is looking into the story of Pajeú, the now forgotten figure buried in the depths of the city of Fortaleza. The film goes through successive urban transformations leading to the burying of Pajeú, a mystery imbued with supernatural elements.

A self-employed worker faces financial and emotional problems. Without any decent opportunities, he creates a channel on YouTube as an attempt to monetize on his own failures while takes precarious jobs in huge corporations.

A film about popular movements in defense of housing. Introducing: the State against the Homeless, in the capital of Brazil.

Desimar is the owner of Inferninho, a dark and run-down bar that is refuge of dreams and fantasies. Her dream is to leave everything behind and go away to any distant land, as far as possible from that place. Falling in love with Jarbas, the handsome sailor that arrives at the bar, dreaming of finding home, will completely change her life and the lives of the bar employees: Luizianne, the singer; Rabbit, the waiter; and Caixa-Preta, the cleaning lady.

Vando (aka Vedita) is not seen for a long time in the streets of Barra.

Vale do Jaguaribe, Ceará. Following the route of the Aracati wind, the film moves from the beach to the countryside. During this path, it observes the relationship between man and landscape, thetransformations of space and the limits between nature and artifice.

A lonely man wanders lost by a post-apocalyptic city.

An omen, a shred of time only. Suddenly the huge-bellied man jumps into the pool holding a glass of whiskey.

A film about the city. A film about people. We are living at the beginning of the era of urban society. A new field still ignored and unknown. And the scenario for the future is not yet established.

No man is a failure when he has friends.

The cinematographic and literary versions of the same macabre plot are incorporated and establish tortuous relationships in an atmosphere where maintaining the mystery can be a matter of survival.