Executive In Charge Of Production
Joseph learns that his son and his companion have just perished in an accident. They were expecting a child via a surrogate mother in Belgium. What will become of their future baby? Is Joseph the legitimate grandfather? Carried by the promise of this birth which will prolong the existence of his son, the sexagenarian goes to meet the young Flemish woman with a fierce and indomitable character.
Executive Producer
Yannick is a caregiver in a retirement home. Between permanent pressure and budget restrictions, he faces the lack of means with a contagious good mood. But when he is forced to share the dining room with a class of children, the situation becomes complicated. Their arrival, as well as that of his hostess, Aude, will shake up the daily life of everyone, especially the residents.
Executive In Charge Of Production
Angèle, a thirty-something from Ivory Coast, always cope thanks to the gift of gab and audacity. To escape from a bunch of dangerous criminals, she becomes a nanny in the uptown Paris, hired by Hélène, the single mom of eight years old Arthur. Discovering the work conditions of her colleagues, she decides to stand up for their rights, thanks to a young lawyer who will quickly fall for her.
Executive Producer
Adrien, an attractive dancer whose career was shattered by a motorbike accident, wastes his youth in the laziness of the French Riviera, where he is looked after by Martha, a former movie star. Adrien’s life is turned upside down when he meets Margot, a captivating beauty who lives for the thrill of scams and romantic entanglements. Together, they fantasise about a better life and set up a diabolical scheme, an emotional masquerade.
Production Manager
Victor, a disillusioned sexagenarian, sees his life turned upside down on the day when Antoine, a brilliant entrepreneur, offers him a new kind of attraction: mixing theatrical artifices and historical reconstruction, this company offers his clients a chance to dive back into the era of their choice. Victor then chose to relive the most memorable week of his life: the one where, 40 years earlier, he met the great love.
Production Manager
A middle-class house in the middle of nowhere. A council estate in Sète. A mother and daughter. Two childhood friends. A vanishing. Blackmail. A clash between two worlds.
Director
Writer
Caroline and Olivier are sixteen, in love and would like nothing more than to be left alone. Unfortunately, be it parents, grandparents or even teachers, everyone seems to want to meddle and interfere in their affairs.
Director
Caroline and Olivier are sixteen, in love and would like nothing more than to be left alone. Unfortunately, be it parents, grandparents or even teachers, everyone seems to want to meddle and interfere in their affairs.
Director
Director
Production Manager
As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge.
Director
Wanting to prove to his wife that he is cured after his brief stay in a psychiatric hospital, John insists on giving her a microwave oven.
Thanks
La Première éducation sentimentale (the first version of L'Éducation sentimentale), re-adapting the themes of first love, the intoxication of desire, and failed ideological revolution (that culminated in the Revolution of 1848) to the May 68 generation through a chronicle of the parallel lives of a pair of childhood friends, the pragmatic Henri and idealistic Jules as they leave their bucolic, rural hometown to separately pursue their baccalaureate - and real world - educations.
Director
Ivan's and Serge's occupation is to enter dance competitions where they meet each time new female partners; a wounded gangster who's just burglarized a bank ,forces them to drive him at gunpoint.
Executive In Charge Of Production
Martine is 25. Since breaking up with François, she has the feeling that the world is caving in on her. Between small jobs and one-night stands, she can't seem to get a fix on herself. In desperation, after a last quarrel with François, she unintentionally causes an accident that leads her to the emergency ward of a psychiatric hospital. During her brief stay, she unexpectedly sparks into life. She takes an interest in two young patients, Pierre and Anne, convinced that she is doing the right thing in supervising their love life...
Production Manager
When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.
Executive Producer
Pierre Bonnard would not be the painter everyone knows without the enigmatic Marthe who occupies more than a third of his work. Maria Boursin, alias Marthe de Méligny, posed as a ruined Italian aristocrat the day they fell madly in love with each other. Little did she know that she would become the pillar of a gigantic work, now considered one of the most important of the early 20th century.
